Tilt-A-Whirl

Art Chicago 2010

Sunday, June 20th, 2010

Art Chicago is an annual event held at the Merchandise Mart in Chicago, Illinois during the Artropolis event.  I exhibited at the International Antiques Fair at the Mart that is held concurrently with the art fair, this past May.  Click on images to enlarge.

These large scale prints are composed of tiny images of other “personalities,” such as the Madonna image might be made up of tiny pixel images of Marilyn Monroe.  The artist is Alex Guofeng Cao.

The gallery had cards in the form of small boxes with photos on two sides.  Greg and I were disappointed that the boxes didn’t have any treats  inside of them, it would’ve been a nice touch.

This artist’s work has a jewel-like quality to it.  Click on images to enlarge.

The imagery of this piece of artwork is haunting and rather mysterious.

The “boy with a bird” looks like it was drawn using gunpowder that has been burned.

She is in such a relaxed state after her refreshing swim, still dripping with water.  I’ve always enjoyed watching the reactions people have to life-size super-realism figures.  I find this sculpture more calming than most of the life-size figures, especially those of Duane Hanson.

I will never get tired of looking Deborah Butterfield’s Horses.  This polychrome over bronze example has such an elegance and looks effortless.

Richard Wright Gallery had two really fine Harry Bertoia “bush” sculptures on a low coffee table.  Click on images to enlarge.

Packer Schopf Gallery never disappoints.  Aron has an amazing eye that I like to think has been influenced by his years in the antiques trade.

The “beast” has been composed out of many, many books; most likely encyclopedias.

This cut work on books at  Aron’s gallery is by Brian Dettmer.

This artwork is by Diem Chau.  The artist has stretched very fine “fabric” over ordinary household china plates and stitched these curious images of people or parts of people.  You can check out the Packer Schopf Gallery here.

This life-sized sculpture was covered entirely in puzzle pieces put on end, thousands and thousands.

Now that could be Duane Hansen sculpture on the right, but he is actually a Merchandise Mart employee.  Click on images to enlarge.

This paper and cotton sculpture was so delicate and so beautifully crafted I was fascinated by the workmanship as well as the concept.

There were about seven or eight of these “smoking aircraft”  sculptures along the back wall of the gallery booth, they were so clean and white and yet so tragic. I loved them.

Odd little creatures their bodies covered in shells.

This humming bird is just a little larger than life size and is made from cast lead, it and following snake sculpture is by the artist Mark Calderon.

The snake sculpture has a sinuous sleekness about it.  It would look great displayed on a large table as well as it does hanging on the wall.

I rarely see contemporary photography that I find fresh.  If a  photographer’s work makes you take a second glance than you might stand a chance at a show like Art Chicago.  This photographer has challenged the viewer to stop and question the refection in the puddle and what it is telling us about the reality of the street scene.

As far as I am concerned William Edmondson was one of Americas most important sculptors of the 20th century.  This totemic as well as whimsical sculpture by Edmondson was shown by Fleisher/Ollman Gallery at Art Chicago.

Both of these labor intensive drawings are by Joan Linder who uses very tradition materials in her work.  The dandelion drawing is over six feet tall and was drawn entirely with a ball point pen.  Joan is represented by Mixed Greens Gallery in New York City.  Click on images to enlarge.

Carl Hammer Gallery always has great contemporary fine art as well as an amazing inventory of antique folk art.  These polychromed “jiggers” date from the 1930s and have great appeal en masse.

This piece of artwork by California artist Cameron Gray was one of my favorite pieces at Art Chicago.  The artist uses tiny paintings to create his large scale artworks.

The smaller scale paintings are all from the history of art.  Many of the greats from the Renaissance to post impressionist are used in his work.   Gray doesn’t actually paint the smaller panels but has other artist do these pieces and then he assembles them into a larger cohesive image .  Cameron Gray’s website is here.

I rather think Vincent Van Gogh would have been fascinated by many of his paintings being used to help form a much larger piece of artwork completely unrelated to his original work.  Or maybe not.  Art begs questions sometimes more than it makes statements.  This is the joy and the challenge of going to shows like Art Chicago.  Make plans to attend the 2011 Art Chicago show now, all of the info is here.  Click on images to enlarge.

Chicago Merchandise Mart Antiques Show Booths 2010

Friday, May 21st, 2010

The Chicago Merchandise Mart annual Antiques and Fine Art Fair was held April 30th thru May 3rd, it was a distinct pleasure to be exhibiting at the Mart again this year.  The quality of the dealers at the show and time they take to create engaging booth spaces makes the show exciting to see.    So here are a few photos to give you a taste of the variety of amazing material that was shown at the Mart during this past event.  Click on images to enlarge.

The two photos above are dealers from Italy that always bring objects that I especially covet, their business name is Il Segno Del Tempo and they have a great website you can check out here.

One of many booths with rare Art Deco and Modernist pieces.  Click on images to enlarge.

More tramp art than you can shake a stick at, this is the booth of Clifford Wallach who has an intriguing  website filled with tramp, you can see it here.

Now this is a billiard table.  The inlay work is impressive.  To the right is a large double gaming wheel slot machine.

This back wall panel is European tile and is spectacular, it is in the booth of Rita Bucheith, Ltd.  Click on images to enlarge.

Harvey Pranian is good friend and a great dealer with an ever changing inventory of folk art.  His website is here.

Tiffany, Tiffany, and more amazing Tiffany everywhere you look.

Mid-century modern at its best.  The banana yellow Tommy Parzinger console at the back of the booth is one of those show stoppers I would love to try to work into my house.  It would make a great “stage” for sculpture and objects.

The scientific sign makes a strong statement in this eclectic booth display.  Click on images to enlarge.

I could move into this room.  The lighting was tweaked just so to help give the room the impression of a luxurious apartment in an exotic locale.  These last two photos were taken in the booth of  The Golden Triangle, located in Chicago.  They have an extensive website you can check out  here.

Hard to believe this is a booth at an antiques show until you notice the white walls in the distance.   If you did not make it to the show this year hopefully these photos will entice you to visit the Mart in 2011.  The photos I took at Art Chicago will be coming soon to this blog site.  Stay Tuned.  Click on images to enlarge.

Chicago Merchandise Mart International Antiques Show 2010

Monday, May 10th, 2010

I thought this year’s show at the Merchandise Mart was more visually interesting, and even an even higher level of quality then in any of the previous years I’ve been to the show.   Setting up at the show is an amazing experience on many levels.  Set up allows me the luxury of seeing  rare and sometimes startling objects being moved past my booth before the show opens up as everyone is trying to work their booths into beautiful room-like settings.  The enormous Mart building, two football fields long, fills up in just a few short days with antiques from all over the world as well as dealers from several different countries exhibiting their very best for this fair.  Click on images to enlarge.

My booth at the mart show had my usual mix of periods and styles that for some reason seem to work together.  I like to think of the pieces as all settling in together in the booth whether they like it or not.  Each piece seems to find to place to show off without competing with the others…or so I tell myself.

The 19th century framed botanical flowers formed a backdrop for the dark oak 18th century gate-leg table with a small grouping of santos figures on top.  Click on images to enlarge.

The santos shown in the previous photo replaced this grouping of 19th century candlesticks that sold one by one at the show.

I love this mix of art work on the back wall of the booth.  The top painting is by Guillermo Silva Santamaria, an artist from Bogota, Colombia below it is a painting by a St. Louis artist, Margery Dodson Imster.  To the left of the lamp are three 1920s stained glass window watercolor studies from the Emil Frei Art Glass Studios in St. Louis.  Click on images to enlarge.

Greta Von Nessen “Anywhere Lamp”, circa 1951 in original mint condition.  The lamp and the painting in the background found really good new homes.

The Italian gilt mirror on the back wall was a recent lucky find just a few days before the show.  The modernist painting on the right is by St. Louis artist Virginia Davis, it stayed behind in Chicago, now showing off on a new wall.

The 19th century European skull and crossbones pediment was lucky enough to find a new residence in the Windy City.

The soft whites of the walrus tusk and the shells play so well against the warm browns and grey color tones on the 18th century Russian table.  Click on image to enlarge.

The brass swan sculpture on the wall is by Curtis Jere.  To the left of the Jere are two French manikin forms, both the manikins and the Jere represent the variety of objects I bring to show and fortunately seem to be what I sell at the Mart as both stayed behind in Chicago.

The rare advertising poster behind the manikins announces Herman Miller’s opening of a store in New York City that would sell their furniture as well as fabrics by Alexander Girard and “sympathetic” decorative objects (those objects I would be curious to see.)  The poster must date from the late 1960s to early 1970s and is in mint condition.

My booth is on a corner so I have an outside wall to decorate.  At the beginning of the show the wall looked like this, and then after several things sold it evolved to the wall pictured below.  Click on images to enlarge.

The wallpaper stamps shown in the previous photo got replaced with a collection of vintage dog photos. Part of the fun of being at the show for so many days is seeing the other booths at the show change as items are sold and moved out and new things are brought in from storage and the booth redesigned.

I brought one of the showcases from the shop for displaying collections of objects.  The shelf has a collection of 19th century plaster heads and hands.

“Just say ah.”  Which is appropriate for this sculpture and is also a cool website showcasing the work of Adam Hughes.  You can check it out here.  The object in the image above was made as a European medical teaching aid in the 1930s.

One of my favorite pieces that I brought to the show was this balustrade from the Chicago Stock Exchange building designed by Louis Sullivan and Dankmar Adler and completed was in 1894. Click on images to enlarge.

Staying in downtown Chicago is an experience, however staying on the 33rd floor of a downtown hotel is a better experience.  This was our view from the Hotel 71.  Wacker drive is on the left and the Merchandise Mart is on the right past the wonderfully ’60s Marina Cities twin towers.  Every morning  starts off with a nice brisk walk to the mart with a quick stop for a morning shot of caffeine and then to the 8th floor for a visual feast for the eyes as the elevator doors open and the day of selling begins.  There is something about the energy of downtown Chicago and the Mart that makes going to the show a time to remember and something I very much enjoy.   Photos from other booths at the show as well as images from Art Chicago will follow in this blog soon.  Click on images to enlarge.

Pussy Willow is Everywhere!

Monday, March 15th, 2010

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I had to trim the pussy willow tree at my house this week, it was invading the neighbor’s eaves and gutters, never a good thing.   This was a great opportunity to fill the shop with one of the first signs of spring. Click on images to enlarge.

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We had a pussy willow tree behind the house when I was growing up and I can remember my Mother forcing those tender bare branches into beautiful fuzzy bouquets of the softest grays and browns.  Antique Battery Jars make the perfect container for forcing branches as well as for forcing spring bulbs in.

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Pussy willow branches dry very easily for arrangements, they are also very easy to root for planting a new willow tree.  I have given several cuttings  from my tree as my Mother did from hers years ago.  Spring is the time to think of  bringing flowers from the outside in and maybe giving a few away to friends and neighbors to brighten their day.  Click on images to enlarge.

Winter Container Party 2010

Monday, February 22nd, 2010

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This is the second year for the Winter Party and I have a to say it was a great success.   St. Louis still had some snow on the ground and it was snowing the day before the party, but last Thursday turned out to be a  beautiful sunny day, the perfect weather to feel the beginning of spring at the shop.  Click on the images to enlarge them.

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Surrounding the 18th century English mirror are European wallpaper stamps from the 1950s.  The stamps make a dramatic wall covering and hence are almost all sold out.

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Miniature roses fit perfectly in the Dutch white ironstone “tub”  surrounded by French mother of pearl opera glasses.

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This French style chair has been upholstered in black silk with a hand-stitched Crane across the back.  The forged iron table has bronze detailing  in the manner of Oscar Bach.

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A French 19th century cast iron urn with more miniature roses poses in front of a pair of garden planters.  These smaller iron urns can be used in so many different ways inside the house as well as outside.  The urns can be changed out for the seasons with a variety of contents, ie: blooming bulbs in the spring, shells in the summer,for fall.. well you get the idea .  Click on images to enlarge.

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The theme for this Winter Party was “Spring” so fresh flowers continued throughout the shop .   In this photo note the wonderful European iron awning, for over a door, that hangs above the terra-cotta obelisk.   Hanging from the awning are several hand-painted Mexican pottery birds from the 1940s.

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A very whimsical European armillary sundial rests on the round marble top table.

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The teaching posters were printed in France in the Flemish language.  The circa 1940s posters have wonderful graphics and color.  Click on images to enlarge.

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The zinc downspouts on the left of the photo were found in Belgium.  I think it would be interesting to make lamps or sconces out of the pair of downspouts, the shadows that the light would create could be dramatic.

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The whimsical painted dove weathervane stands between several European cut stone planters.   To the right of the planters is a carved stone well-head of a mans face that has an incredible worn surface.

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In the two previous photographs you can see the window display is of Japanese paper lanterns from the 1930s.  Roxie is keeping watch in her window perch, a job she takes quite seriously I might add.  She often feels the need to alert everyone in the shop to the presence of a dog being walked in front of her shop, often loudly… unfortunately.

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The bookcases behind the counter hold an array of unusual objects.

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I have never seen the bronze pieces with hands mounted on stands shown in this photo ever before.  They are the pockets from a 19th century billiard table and are made of bronze.  The ivory balls shown in the hand-cups would fall through the hole and be “caught” by the small hand that is holding the round cup.

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To the right of the Italian Mirror is a very organic bronze light in the form of a gnarled grape vine with leaves.  It has holes in the base suggesting this wonderful bronze light might have been used on a newel post of a stylish house in Europe at the turn of the century.

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In this photo a wonderful 19th century religious artifact with carved gilt-wood rays hangs in a shelf above the ever wacky doll head mold forms.

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Blackforest antlers surround the wooden “gear” mirror made from an industrial mold form.


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The venetian mirror in this photo found a new home very quickly.   The owl sculpture is by a St. Louis artist, Tom Blaizer.  The owl body has been made out of tin and the eyes out of sliced agate stone.

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Nothing says spring like fresh flowers and we had a nice assortment of them at the shop for the party.  For me forsythia brings back childhood memories of my grandmothers gardens, she let it grow huge and wild, it always seems so bright,  bold and cheerful.   The forsythia is in a huge battery jar I found in Belgium.  The oversized chrome strainer also on the table is by Curtis Jere and dates from the 1970s.

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I currently have a great collection of vintage medical teaching aids in the shop.

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One of the more unusual items in the shop right now (and that’s saying something) is shown in the center of this photo…. the “mirror.”   A relief sculpture made from resin of a muscular nude male holding a woman in his arms has been applied to the mirror glass and put into a chrome frame, the piece has a Los Angeles label on the back and dates to the 1970s or early 1980s.  Click on images to enlarge.

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A Curtis Jere swan sculpture hangs above the 1940s machine age aluminum tricycle.

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One of my favorite pieces to just come into the shop is this European industrial cart.  It has great surface-ware and patina.

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The wire “donut” on the wall is actually a handmade wire crap trap,  I think the trap has a fine sculptural quality to it.   The tin trays, the lanterns, and the candlesticks are all from Mexico and date from the 1940s.

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Rosalie seems to be pondering the wooden bowling balls from Europe that are on either side of her carousel panel.

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I am fortunate to have tall windows in the back of the shop that really let the light pour in.  The anatomical charts on the back of the shop wall are from Belgium.  Click on images to enlarge.

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I wanted to end this post with a photo from the shop of simple a simple way to say spring.   I used green depression glass salt and pepper shakers for mini vases.  I placed three of the bouquets under a 19th century glass cheese dome on top of a plain glass cake stand.  The flowers have been in the shop for almost a week now and still look great.  There is so much we can all do to enliven our lives with fresh flowers without costing a fortune.  I try to have something blooming or have cut flowers in my house throughout the winter.  It makes the house smell great and it makes me feel good.  Until spring gets here and gives us fresh bouquets daily get out there and bring some flowers home.  You just might need an antique battery jar or garden urn for those flowers, luckily R. Ege Antiques has a few of those.  Come in and check us out.

Mug Shots of Antique Santa Clauses

Wednesday, December 16th, 2009

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Santa Claus’s face is one of the most recognizable faces in the world – a  face known the world over and also a face that none of us have actually seen in person in order to verify his accepted appearance.  We all have a concept of what Santa looks like.  Some of those concepts have been influenced by the best advertising minds of our time to sell the latest and greatest widget.  Some of us have been influenced by Santa Clauses that were made over one hundred years ago and look very different from the Santa we see portrayed today.  I thought it might be interesting to see how Santa Claus’s face has changed over the years.  The Santa face pictured above belongs to a German roly-poly dating to the 1930s.  Click on images to enlarge.

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The Santa Clauses in these images all belong to a couple who have been collecting holiday antiques for a number of years.  I was fortunate enough to be able to photograph a small part of their collection.  This German paper-mache Santa dates to the late 19th century.

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These early German Santa Clauses almost always have blue eyes.   This one has a hand-painted paper-mache face with a rabbit fur beard and dates to the latter part of the 19th century.

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When I started collecting early Santa Clauses one of the things I noticed was that some of them had teeth.  The smiling faces of Santa that I grew up with seemed not to be showing their teeth.   Santa Clauses with teeth seemed somewhat disturbing to me.  This is the face of a Shoenhut roly-poly Santa made in the US of paper-mache in the last quarter of the 19th century.

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This late 19th century German Santa has a very rare beard made of glass icicles.  He has a serious, concerned expression on his face.

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Most German Santa candy containers had paper-mache faces.   This rare 19th century Santa has a bisque porcelain face with glass eyes.  He also seems to have very bright white bisque teeth.

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German Santa candy container with a red mohair suit and a lambs wool beard dating to the early 20th century.

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This paper-mache Santa dates from the late 19th century and seems to have the face of a tired old gentleman.  He looks rather wizard-like with his long white beard.

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Belsnickle Santa with a yellow-green coat.  Belsnickles were made in Germany from the late 19th century into the early 20th.  They were made in a large variety of sizes and colors.  All Belsnickles have hand-painted faces done by a number of different crafts-persons so the facial expressions vary quite a bit.  I have seem Santa Clauses that look totally inebriated as well as those with a stern authoritarian countenance.

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This German candy container Santa looks like he is up to no good with a whimsical expression.  He dates to the late 19th century.

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Toy Santa Clauses from the 19th century are unusual.  This one has a wooden body that “dances” when you pull on a string.  His head is made of composition and shows great brushwork in the painted details.

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This German Santa has bushy white painted eyebrows and a fur beard.  He dates from the last quarter of the 19th century.

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Another bisque face Santa Claus with glass eyes and a long fur beard.  His facial details are very different from the other bisque face Santa.  This face seems more joyful, even with his teeth showing.

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Chromolitho Santa face on an advertising tin dating to the early 20th century.  This wonderful warm Santa face shows the influence of 20th century illustrators such as Reginald Birch and E. Boyd Smith, who drew from the late 19th century work of  Thomas Nast.

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This is one of the largest German Santa lanterns that I have ever seen.  The face and beard have been modeled beautifully in paper-mache and the eyes and teeth are painted on paper so they would glow when the candle was lit.

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Chromolitho on paper Santa face applied to the top of a wooden box containing picture blocks.  These boxes usually date from the late 19th to early 20th century.

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This Santa has a very nice face but it seems to be overshadowed by the beautiful head on the reindeer.   The paper-mache German reindeer has gilt Dresden decoration on his bridle and glass eyes.   The reindeer is also a nodder so his head gently moves up and down.  Click on images to enlarge.

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Santa Belsnickle holding a baby.  This Belsnickle is rare, rare, rare, and I’ll type it again, rare.  Not only is the Santa holding a baby but the baby has red polka-dots all over it, including his face.  Even Santa seems surprised by this one.

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This is a cloth faced Santa dating to the 1920s.  He has a sweet gentle face and a long fur beard.

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German paper-mache lantern from the late 19th century.  This is an unusual form for a Santa head lantern and has an expressive face showing us his very large teeth outlined in red.

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As I noted earlier Belsnickles come in many sizes.  This reindeer seems to be responding the same way I did upon seeing this white feather tree. Wow!  Wow, that’s many, many rare tiny little Belsnickles all dating from the late 19th to early 20th century.  Not a one of them have teeth.  I like that.  So if any of you happen upon “the” Santa Claus in the flesh, not of these modern day department store varieties, let me know.  I would like to find out if his teeth really are that big and scary.  Merry Christmas!  Click on images to enlarge.

Christmas Window @ Shop 2009

Wednesday, December 2nd, 2009

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The shop Christmas window for 2009 features a wonderful folk art train from Kirkwood, Mo.   Kirkwood is a part of the greater St. L0uis area and has some wonderful historic  homes and a railroad that goes through the center of town.  The folk art train is hand-painted and embellished with “Kirkwood Railroad” on the sides.  Click on images to enlarge.

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The cut paper trees were easy to do and would also be fun used in house windows.

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The Santa I used in the train is one of those wacky 1940s clay face Santas riding high on a mound of packages. The train engine is open car full of decorated trees.  Vintage brush trees provided a nice forest backdrop for Santa’s train.  Tin stars hang from the sky lighting the way for Santa and his deliveries.

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Santa waves hello to all those who pass by.   Christmas seems the perfect holiday for using antique and vintage objects to decorate our houses with.   The ornaments could be grandmother’s treasured blown glass pieces or a funky 1960′s elf made of felt.  If you do not have family treasures then it’s time to start your own collection to pass onto family and friends.   The shop has many vintage Christmas pieces this year as do many other antique shops in the area.   If you are in Southwest Missouri my Mother and Sister have a wonderful shop in Ozark called Ozark Market Basket.  Their shop has many vintage holiday ornaments and decorations.  You can check out their website here.   Support small local business whenever you can and especially this time of year.  Remember when you are buying vintage you are recycling wonderful cheery reminders of Christmas past and not contributing to the mass produced excesses of our time.   Christmas doesn’t have to be about Black Friday or Cyber Monday.  The staff and I at R. Ege Antiques would like to wish a Merry Christmas to all.  Please click on images to enlarge.

Christmas Shop Window 2008

Tuesday, December 1st, 2009

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Christmas morning circa 1959 was the theme for the 2008 Christmas window

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Silver aluminum trees became all the rage in the late 1950′s thru the 1960s.   This tree was simply decorated with red balls.  I used the color red to unify the separate elements of the window display.

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I was looking for one of those 1950′s cardboard fireplaces for the window display but could not seem to find one in time.  I have always found those fireplaces curious.  I guess if you did not have a fireplace a cardboard one served the purpose, sort of.  Lighting a fire in it could be a problem and then there is the issue of Santa and the chimney.  So for this window a hand-drawn fireplace served the purpose quite well.

Christmas Open House 2009

Monday, November 23rd, 2009

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The 6th annual Christmas Open House is now over.   I would like to thank so many very special people for making this year’s party a huge success.  We had a great turnout with lots of friends coming into the shop and lots of treasures going out of the shop.  The group of garden figures in this photo, all covered in winter’s chill, welcomed you as you came in.  Remember to click on images if you wish to enlarge.

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The 19thc crazy quilt provides a great backdrop for the four seasons garden figures.  The quilt has a number of very creatively stitched “P”s.  We are lucky enough to have a note pinned to the quilt stating it was made by a member of the Parker family.

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Hanging on both sides of the crazy quilt are four Chinese-export bird watercolors dating to the late 18th century.

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The American Flyer Train comes complete with its Pullman cars, just the right color for the holidays.

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German Kugels from the 19thc are suspended over the train, reflecting the world around them.

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Draped over the center table is an amazing French Aubusson carpet from the late 18th to early 19th century.   The coal hod holding the orchids sports a hand-painted winter scene perfect for the season.

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A French wire basket seems right at home filled with gold-gilded dried pomegranates.

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The European painting was a lucky find.  It came out of a wonderful, stately St. Louis home.  The oil has now left its brief home at the shop and gone back into another beautiful St. Louis home.

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Sheep everywhere you look, in the old paris porcelain, on the bow-front chest, and under the early glass cheese dome.  The English brass candlesticks are another recent addition to the shop.  The sticks have a curious form, somewhat Christopher Dresser-like.

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This lady’s writing desk is one of the nicest pieces of painted satinwood furniture I have ever been fortunate enough to have in the shop.

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The desk is covered in hand-painted garlands of flowers as well as neoclassical figures.  It also has several hidden compartments, just big enough for those “private” letters.

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This is an image of the decoration on the back of the desk chair that accompanies the lady’s writing desk.

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This painted chair is not typical of my usual merchandise mix, however I could not resist its five legs, looking as if it’s ready to flee the scene.

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So after the front of the shop has begged for your attention the next thing you come to in the shop are the bookcases.  I like the fact that the bookcases force the eye to focus and to see in a different way than when looking at a room full of furniture and objects.  This image shows an early 20thc cast iron windmill weight made in Nebraska, as well as a zinc clock trade sign an over-sized store price stamper for a window display.

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Sterling silver on one shelf and a hand-painted tin trolley on the other makes for visual contrast.

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A shelf of dog oil paintings, toy dogs, and an early leather dog collar.  The lower shelf contains a wonderful architectural terra-cotta panel from a St. Louis building that was torn down.

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The bookcases at the shop are full of things you just don’t see at very many other places, from hands to heads to caravans, it’s all here!

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These two photos are of a collection of French stone fragments from a Gothic church dating from the 17th century.  Displaying them in a vitrine or dark bookcase would make a dynamic display.

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General store cabinet filled with vintage Christmas as well as an early Steiff  bear on wheels with his original button.

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Spun cotton ornaments share space with vintage wind-up Santas and Shiny Brite ornaments.

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These watercolors are by James Godwin Scott, well known for his depictions of life along the Mississippi and in and around St. Louis.  The watercolors were  painted during the time he lived in this area.

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Pond boat fits perfectly on the Korean Tansu chest.

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The middle room of the shop was decorated with a nod to the nautical.  This image  shows a vintage toy tin racing boat on a  marble topped drafting table base.  The table is flanked by a French creel fishing basket on one side and a tall buoy on the other.

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Feather tree festooned with ornaments on top of an Italian gold gilded iron table.  A bit of sparkle is good for the holidays…. or anytime.

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Bead garland, clip-on birds, Shiny Brite ornaments all on a dense little feather tree.  As I have said before…. every house should have at least one feather tree!

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These 19thc Apothecary jars are filled with silver-leafed dried artichokes and share space with a 1920′s butterfly weathervane.

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The vintage ski poster, ca 1928,  is by artist Paul Brusset and advertises winter sports at Mont-Geneva.   The poster hangs next to a huge porcelain enamel letter “X” from a sign that was on a St. Louis building.  The X begged to be joined by the 1930′s letters M, A, and S, all covered in red sparkles.

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The French cast iron coal hod is filled with more gilded artichokes.

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It is safe to say I have never had anything quite like this in the shop before.  The “hurdy gurdy” type street-cart has been fitted with a Regina ca. 1900′s music box that still plays beautifully.  The coin slot took pennies, several wheat pennies were found in the base which holds the extra metal playing discs.  There are 25 different music discs with this Regina.

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The cart yoke looks like it could have been pulled by goats or a large dog.  The case has been painted with baskets of flowers on the doors topped with a rather New Orleans looking “house” that contains the Regina.

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The music box cart is right in the middle of the back room so it can be appreciated from all sides.  It was played several times during the party.  It is interesting how music that is 100 years old can sound so cheerful and fresh.

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For the party the desserts were placed on these European pastry stands, perfect for our tasty American Christmas cookies.

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This image was taken the day after the party with the sunlight pouring in.

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The German hide covered rocking horse was awarded a wreath of vintage glass balls and foil leaves.

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French carousel painted panel above a vintage paper-mache store display figure.

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This 1930s paint store display figure was found in a Kirkwood, Missouri estate.  He would have originally held a small can of  “Mautz” brand paint.  Christmas at the shop will extend throughout the season with new merchandise added weekly.  Be sure to call the shop or email me if you have any questions about any of the merchandise shown in the blog images.  Please click on images to enlarge.

Christmas Holiday Party 2008

Tuesday, November 10th, 2009

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Christmas 2009 is just around the corner.  Fall has hit St. Louis and that means Christmas Open House at R. Ege Antiques is just days away.  The party is next week, Thursday, November 19th from 5 to 9.  I thought it might be fun to check out the photos from last year’s party.  Reflected in the bullseye mirror is a collection of “shinny bright” tree toppers mounted as bouquets in French cast iron urns.  Click on images to enlarge.

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Wonderfully carved and gilded carousel panel over seven feet long, found in Europe.

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Wicker set from the 1930s surrounds a faux bois French stone planter used as a coffee table.

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Moravian star light next to a cast iron top hat cuspidor encircled by a zinc 19thc chain.

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Collection of “shiny brite” ornaments on a 1960′s wire tree only $ 3.00 each, what a deal.

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Vintage Moscow travel poster made for German tourists is from the 1930s and hangs below a collection of kitschy 1960s Christmas yard figures.

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This image shows one of my favorite things from last year’s party …. the rain chain.  The chain dates from the 19thc,  is completely hand forged and was found in Europe.  It is interesting to me that we are now seeing rain chains show up in local garden shops.  Everything old is new again, as they say.

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General store cabinet loaded with vintage Christmas treats.

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Christmas brings out the kid in all of us.   Who doesn’t have fond memories of a certain ornament that always hung on the tree, or the  well worn well loved cardboard houses that went on the mantle?

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Brush trees and a 1940s cardboard village set is covered in glitter and displayed in a primitive country store pie case.

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Clear glass cake stands are great for displaying objects as well as for serving desserts.  These stands held a collection of place card holders from the 1950s decorated as potted chenille poinsettias.

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Every house should have at least one feather tree for Christmas.  No matter how you decorate them they are always charming.  This little guy was home to a group of 1960s Santa’s elves that were handmade of felt.

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Roxie checking it all out.

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English horse racing painting between two large concrete planters complete with “snow.”

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The French wrought iron window guard dates from the 19thc and is festooned with fresh garland.  I really enjoy using fresh greenery at the shop during the holiday season.  One of the reasons is simply because it’s real and real is always best.  It also gives the shop that wonderful smell.  Christmas is more than just stuff that comes out of a box.  The smells of Christmas trigger past memories amazingly fast.   The giraffe is a German pull-toy and is decked out for the party wearing her “pearls” made from glass bead Christmas garland.  Christmas Open House 2009 is going to be a great one with more vintage Christmas than ever before.  Join us Thursday, November 19th at 5 pm to see what holiday antiques I’ve been stashing away for almost a year now.  Christmas is almost here.  Click on images to enlarge.

Fall in St. Louis at the Missouri Botanical Garden

Monday, November 2nd, 2009

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This past Sunday was the first of November and one of those perfect fall days.  The morning was very cool and crisp and then by noon it was a glorious warm sunny day in St. Louis.  After several weeks of dreary rainy days here in the city, it was a great day to check out the
Botanical Garden.  We are lucky in St. Louis to have one of the best botanical gardens in the world.  Check out their website here.   This working “live clock”  is new to the garden, replicating one that was here many years ago.  It was planted with mums, various fall plants and pumpkins.   The bird house has a cuckoo clock-like bird that comes out and sings a song on the hour.  Click on images to enlarge.

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One of the most personal and private areas of the garden for me is the “Chinese Garden.”   It was created in 1995 and is formally known as the  Margaret Grigg Nanjing Friendship Garden.  The garden is nestled between several main pathways and seems to go unnoticed by most.  So it is often without visitors of the two legged variety, (other than birds), and consequently very quiet and peaceful.  The garden was designed by Chinese-born architect Yong Pan.

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This small garden was modeled after the “Scholar’s Gardens” of the southern provinces of China, near Nanjing.   There are several magnificent large scholar stones in the garden.

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Large stone table with “benches”  just like the one I dream about for my back garden.

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This mosaic medallion is made up of small polished river pebbles placed on their side in the traditional colors of a Chinese Scholar’s Garden: black, white, and gray.

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Fall light travels fast and soon this garden will be edited by winter’s chill.  Comfort comes in knowing it will be just as beautiful and serene as it was yesterday but in a totally different way.

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I had to include a few images of these cast stone and bronze mutton that grace the garden’s lawn.

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The mutton were made by a French artist and installed a few years ago.  They have a surreal “realness” to them that makes them intriguing and yet they are made of very hard, sturdy materials that are very non sheep-like.

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Basking in the fall light they seem to be aware winter is on its way.  Click on images to enlarge.


Halloween Shop Window 2009

Sunday, October 18th, 2009

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This years Halloween window features a bound body caught in a spider’s web.  Click on images to enlarge.

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The “body” in the web is actually an early turn of the century Martha Chase Hospital Doll.  Martha designed, handmade, and hand-painted these life-size dolls to be used as training tools for nurses in schools and hospitals.   I am sure Martha Chase never expected one of her dolls to be used in a Halloween window display but for a brief period it is perfect as a spider’s treat.

Halloween Shop Window 2008

Sunday, October 18th, 2009

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This is a photo of the Halloween window display last year at the shop.  We have a rather rusty ghoul sitting in his study at his desk.  Note the demon-eyed dog Roxie guarding his lair.  Click on images to enlarge.

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A plethora of accessories for every well appointed ghoul’s desk.

Pere Lachaise Cemetery, Paris, France

Sunday, October 11th, 2009

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These photos were taken this past July during my European buying trip for the shop.  I had been to Paris before but I had not been to one of  the most famous cemeteries in the world, Père Lachaise, located in the 20e arrondissement.  Considering Halloween is just a few weeks away I thought this would be an ideal time to share these images.  It was a perfectly lovely day to spend in the cemetery; dark, gloomy, and very dreary  most of the time.  The right atmosphere for the incredible visual overload that an exceptional cemetery can provide.  Click on images to enlarge.

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The cemetery was established by Napoleon in 1804.  It was named after Père François de la Chaise (1624-1709), who was confessor to Louis XIV.

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Père Lachaise also known as the “East Cemetery” is the largest in the city of Paris at 118.6 acres.

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There are more than 70,000 19thc. monuments and over 300,000 bodies buried in the cemetery, not counting those that have been cremated.

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Père Lachaise is home to many famous Europeans and several Americans, such as Gertrude Stein buried with Alice B. Tolkas as well as Jim Morrison.  The tomb in the photograph above, belongs to French romantic painter Théodore Gericault (1791-1824).  The top of the stone has a life-sized bronze sculpture of the artist with his palette and brush, while the front of the stone has a bronze panel depicting one of  Gericault’s most famous paintings titled:  “The raft of the Medusa.”

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I have great memories of exploring small town rural cemeteries growing up in southern Missouri.  I have always been fascinated by the infinite variety of monuments as well as the intricate ironwork in the fences, usually surrounding the family plots.  There were also the beautiful cast iron urns planted with flowers and either wire or cast iron benches located in many of these Midwestern cemeteries.

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This Tomb has an amazing cast iron door with a bat at the top of its arch.

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On top of this tomb is a carved stone sarcophagus resting on a base with winged skulls on the corners and in the middle of those are young maiden heads with butterfly wings.

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Powerfully simple message in this stone carving with exquisite details.

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Shrouded “three graces” relief carved stone panel.

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I had read that cats liked to hang out in the cemetery however, there were more cats than I had expected.   Legend has it that the flowers that always appear on the tomb of the French novelist, Collette, are replenished by the cats who live in Père Lachaise.

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This monument exemplifies the level of skill in the stone-cutters art of the late 19thc in France.  Click on images to enlarge.

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Note the two broken strings on the harp.

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The floral bouquet on the stone monument is handmade glazed pottery, forever blooming.

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This hauntingly simple sarcophagus has bronze arms extending from its stone top.

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I think this monument speaks for itself… quiet and bold.

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Lovely relief carving of birds with swags of bounty.

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Cast iron panel with a grieving  female face sporting a banner with the Latin phrase: “requiescat in pace”,  which translates “may he rest in peace.”

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Wrought-iron emblem of “time” flying past us, painted a great French blue, complete with cobwebs.

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Egyptian motifs combined with an iron door panel containing a bat at its top.

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This rather architecturally simple stone tomb had Chinese porcelain foo dogs from the early 20thc. used as finials, with a yin and yang symbol placed between them.  The motto above the entrance states:  “It does not have anything to do with anything” in gold gilt letters.

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This mausoleum was entirely made out of zinc and copper and dates from the late 19thc.

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Cast iron Gothic door panel with the stained glass window from the back wall showing through.

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The color and surface of these doors makes for a great visual.

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The stained glass window in the back of the mausoleum echos the shape of the cross on the doors.

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Beautiful stained glass window seen through a tomb door. Click on images to enlarge.

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Documenting the variety of mausoleum doors found throughout the cemetery would make an interesting collection of images.

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This is the window behind the cast iron ivy leaves in the previous photo.  Fragmented and broken the stain-glass still conveys a great deal of emotion.

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This larger than life-sized figure was carved out of marble with the rest of the monument built out of  limestone. The contrast is very effective.

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This monument has a folk art quality to it, sensitive and a bit naive.  It stands in stark contrast to the more classically conceived stones.

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In contrast to its neighbors this is a wonderfully contemporary monument in chromed steel.

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Adding to the atmosphere of the cemetery were the ubiquitous black crows watching over us.   Ravens or Crows traditionally representing the world beyond the grave fit right in amongst the burial plots.

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I am going to end this post with my favorite stone carving that I photographed on the trip.  This early 19thc relief carved panel very clearly describes the journey from this world to the next, and not in a very cheerful way I might add.  Père Lachaise cemetery is said to be visited by hundreds of thousands of people annually.   I only made it through one small section but I can’t wait to explore other nooks and crannies on future trips.  Paris is  a city that is always calling you back to it.  Click on images to enlarge.

2009 Shop Container Party Photos

Wednesday, September 30th, 2009

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Here are the photos from the 2009 Container Party at the shop.  This image is from the middle room of the shop.  The large hall-tree in the center of the photo has great contrast with its cast iron faux bamboo hooks and the tortoise shell-like pattern of the bamboo.  The English mahogany cabinet houses a collection of French porcelain apothecary jars as well as numerous sea shells.  Click on images to enlarge.

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The parrot engravings are 18thc. Italian and the apothecary tall jars are American late 19thc.

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Pond boat named “Eloise” sails in front of an early ship’s wheel in original paint.

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The German antler chandelier works well in this small room, the 14 foot high ceilings help with the large scale of the fixture.  The European clock face hangs above an English mahogany cabinet and a leather pig footstool.

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This image is the first one from the back of the shop showing the glazed tile walls originally used in the bakery.   The photo shows a small English pine gate above a carved marble basin with two 1920s stone planters from Holland.

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Battery jars from Holland filled with fall foliage between two cast iron fleur-de-lis shaped finials.

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Marble basins stacked on top of early grinding stones.  The basins would make a great sink for a bathroom or  be used outside in the garden.   I have had one outside for years, it is planted with herbs and seems to survive Missouri winters just fine.

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Water lettuce floating in the marble basin makes for a nice visual treat.

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This is one of the largest hand-blown Japanese floats I have ever had in the shop.   It is surrounded by garden related antiques, some from Europe, some from the St. Louis area.

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The large handpainted canvas is from a carousel that was located in Tours, France.  The clock case in the photo is completely hand-forged iron and the tall pencils to the left of the case are European store display trade signs.

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This cabinet was used to store architectural renderings and holds a variety of European objects, including a very large battery jar filled with hundreds of wooden carnival fish, as well as a collection of 18thc. and 19thc.  stone mortars. Roxie was watching all the exciting activity during the setup for the party.

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The large tool trade sign in the center of the wall was found in Holland and hangs over a folding 19thc. table used for wall-paper hanging.

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The American country blue cabinet dates to the mid-19thc.  and retains its original milk paint.   The folk art “ducks”  baby carriage on top of the cabinet dates to the 1920s, and has been made from discarded ammunition blasting powder boxes.  The inside of the carriage warns “caution explosives”  imprinted in the wood.  The iron columns were found in Holland.

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This set of wrought iron garden furniture did not last long in the shop.   Roxie, in the upper left-hand side of the photo, was very busy trying to get a ball out of her bed, she seemed to show-up right when the photos were being taken.

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General store display shelves filled with the usual unusual objects, mostly from Europe.  The wrought-iron panel above the shelves is a French window guard in a wood frame.

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This image shows off a grouping of 19thc. American baskets on top of the general store shelves.   The french painted apothecary drawers on the right, are filled with early wire light-bulb protectors.

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The ten foot long oak table is from a convent that was located in St. Louis and holds a variety of items including two polished Jielde lamps on either side of a large 1920s gilt and painted wood convex mirror.

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The early 20thc. butterfly weathervane has been cut from zinc and is next to a large terra-cotta egg from Holland.

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Stacked metal bookcase is great for displaying collections.  The mustard general store cabinet displays European wooden bowling balls as well as small Dutch targets.

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This close-up shows how well collections can work grouped together in bookcases.    I am not sure why I have always been fascinated with brushes, however,  they do come in an infinite variety of shapes and sizes and the antique ones have such great surface and texture.

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This very large store display case is over 8 feet tall and 9 feet long and is in the very back of the shop.  It has been great to experiment with this cabinet’s scale such as displaying very large objects as you see it now as well as filling it with shelves that contain collections of small items.  Click on images to enlarge.


Shop Window Display for the 2009 Container Party

Monday, September 14th, 2009

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I have found that taking photos of window displays is very hard to do.   Photos taken during the day are difficult because the glass is too reflective.  Taken at night the  photos can seem dark and moody, which is not always a bad thing.  The Container Party shop windows often have some sort of  wrapped or bound objects in them, making a reference to all of the carefully wrapped objects that just came over the Atlantic from Rotterdam, Holland..  This year’s window has a number of pieces, wrapped and tied with bubble wrap literally swirling around,  suspended by chain from the ceiling.  Click on images to enlarge.

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The plastic wrap really reflects the light.

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The window at night with a flash.  Roxie,  my dog comes to the shop with me and has her bed in the bottom left hand corner of the front window,  it’s her perch  so she can sit and watch the world go by.  Click on images to enlarge.

Another Blast from the Past Container Party 2006

Sunday, September 6th, 2009

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These photos are from the first Container Party at the shop in 2006.  It has been intriguing to look at these images from the shop’s past.  In the antiques trade so much material comes and goes that I sometimes forget about certain pieces that I really liked, and after seeing these photos again I think that maybe this or that piece should have come home to live.    However, there is that matter of making money and paying the mortgage.   The container for 2009 has arrived and I am currently in the process of unpacking and again going through that difficult process of sorting and culling and trying not to drag huge portions of it home….of course just to see how it looks in my house.   It’s a test to see if a new object can stand up to the other pieces that have already staked a claim in their current location in the house.    The 2009 Container Party is Thursday, September 24th at  5 p.m.  Click on images to enlarge.

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Large academic drawing found in Belgium.

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I am always on the search for interesting horn and antler material when shopping in Europe for the container.

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Sawtooth shark noses, antlers, and altar sticks were the first thing you saw coming into the shop.  Mixing can be such a great experiment in shop and home design.

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Shell collection in a lead planter in front of a Victorian painted fireplace mantel.

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Bird case with dog paintings over a St. Louis general store cabinet.

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This was a great garden trellis that I wish I had back in the shop for store display.  The architectural terra-cotta face was from Kansas City.

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European carousel panels over a group of carnival knock-downs.  Click on images to enlarge.

Container Party 2008

Sunday, August 23rd, 2009

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August is moving on, fast!  As we get closer to fall I start to plan for the European container to arrive with all the goods I traversed all over Holland, Belgium, and France for this past July.  The container will arrive soon and then after everything is unpacked, cleaned, inventoried, etc., I will close the shop for several days and get ready for the annual Container Party, which is like a sneak peak of all of the usual unusual objects I found on the continent this year.  The date for this year’s party is Thursday, September 24th,  5 pm to 9 pm.  This will be the fifth Container Party at the shop.  Here are a few images from last year’s party. Click on images to enlarge.

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Amish Quilt behind a Victorian wire plant stand and a French forged iron clock case.

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Woodard chairs on either side of an unusual painted gaming table, possibly used at a carnival.

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Marble top coffee table with French zinc basin containing wooden bowling balls.

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The early European bread baking trays make a statement against the glazed brick walls.

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French Jielde lamp with zinc fishing floats in cast iron coal hod.

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Hammered copper leaf on marble top table.

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The six leg, ten foot long table originally from a St. Louis convent has two very large copper vents on either side of it.  The vents were  taken from an early Missouri barn.

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The large heart on the back wall is actually a 1930′s florist’s moss-covered flower form.

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European weathervane next to an ironstone foot-tub with Japanese fishing floats inside.

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This Carousel panel was one of the things I thought was very special in last year’s container.  It is carved out of wood and retains most of its original polychrome.  To the right of the panel is a polished steel Jielde lamp arching over the table. Click on images to enlarge.

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In one of the bookcases behind the counter a vignette with  an advertising scale model of a dress form from the 1920s, alongside a group of marionette torsos from France, and a carrier pigeon award on the back wall.

Atomium Monument in Brussels

Sunday, August 9th, 2009

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The Atomium in Brussels Belgium was built for the 1958 Worlds Fair.  It seemed a natural place for me to visit on my Brussels shopping adventure, being from St. Louis, Mo.  The Atomium has similarities to our Gateway Arch here in St. Louis.  Not only is it clad in bright shinny stainless steel as is the arch, it can also be seen from many vantage points in the city, just like the Arch.  The Arch and the Atomium were also symbols of modernity for their time.    They are just as modern, fresh and exciting to the eye as they were in the 1960s.  If you would like to check out the Atomium’s website click here.  Click on images to enlarge.

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This is a great vintage photo of the Atomium as it was being built.  The monument is actually the visual representation of the concept of an “atom.”  It symbolizes an elementary iron crystal with its 9 atoms and magnified 150 billion times. It honored the metal and iron industry and the belief in the atomic power. The architect was André WATERKEYN. Most of the pavilions built at the Worlds Fair had a very modern futuristic architectural style to them, with the “Atom” towering over them all.

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I thought this was an interesting vernacular image of a mother and child in front of the Atomium.  It looks like the image could have been taken at the Fair in 1958.

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Just like the Gateway Arch in St. Louis, you can go up into the Atomium to various levels.

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This image is of the interior of one of the spheres, very futuristic, furnished with Verner Panton chairs.  It also has a “snack shop” with the most startlingly tasty Belgium Waffles.  I had to sample one, being in Belgium.  They serve them all day, not just for breakfast, what a great idea.

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Futuristic escalator tube, going up.

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Looks like a set from 2001 A Space Odyssey.

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Like the St. Louis Arch, the Atomium is fun to photograph.

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I found this cool image on the web.  Great reflections captured in the car mirror.

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Interesting how something so large can look so small from a different perspective.

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Repelling from the top of the Atomium, in the rain.  Not my idea of a vacation activity.  However, maybe it’s something we could think about doing here in St. Louis. Repelling from the top of the Arch.  It just might catch on.  Click on images to enlarge.



Store Display at the Shop

Monday, August 3rd, 2009

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I have been blogging about store display recently,  and thought I should include some of my own.  The images I have here are “assemblages” of objects in the shop.  This image has everything from a French leather bicycle seat to a 1970′s copper sculpture to a pair of sawtooth shark’s noses.  Click image to enlarge.

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There is a large school trophy case in my shop loaded with religious artifacts.  This is just one shelf with Santos figures.  The porcelain plaque in the back is a signed KPM hand-painted porcelain of Sybil in its original carved Black Forest frame.  Click on image to enlarge.

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These porcelain enameled letters are in a large store display cabinet.   They are graphically very strong, being stark white and so large.

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In this display I’ve used a French 1950′s Jielde lamp on an Art Deco store display console.  On the display table are assorted objects with a naturalistic theme.  The back of the shop has box-car glazed brick walls, original to the building.   It was used as a bakery from 1883 till the 1940′s.  The white brick works wonderfully for store display as objects show up very well against it.  Click on image to enlarge.

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Carved Indiana Limestone bird bath.  Inside the bowl is an 18th c. slate sundial found in the Netherlands.   Having concrete floors in the back of the shop is perfect for someone like myself who seems to like garden pieces more if they are Really, Really heavy.