Tilt-A-Whirl

Mug Shots of Antique Santa Clauses

Wednesday, December 16th, 2009

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Santa Claus’s face is one of the most recognizable faces in the world – a  face known the world over and also a face that none of us have actually seen in person in order to verify his accepted appearance.  We all have a concept of what Santa looks like.  Some of those concepts have been influenced by the best advertising minds of our time to sell the latest and greatest widget.  Some of us have been influenced by Santa Clauses that were made over one hundred years ago and look very different from the Santa we see portrayed today.  I thought it might be interesting to see how Santa Claus’s face has changed over the years.  The Santa face pictured above belongs to a German roly-poly dating to the 1930s.  Click on images to enlarge.

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The Santa Clauses in these images all belong to a couple who have been collecting holiday antiques for a number of years.  I was fortunate enough to be able to photograph a small part of their collection.  This German paper-mache Santa dates to the late 19th century.

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These early German Santa Clauses almost always have blue eyes.   This one has a hand-painted paper-mache face with a rabbit fur beard and dates to the latter part of the 19th century.

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When I started collecting early Santa Clauses one of the things I noticed was that some of them had teeth.  The smiling faces of Santa that I grew up with seemed not to be showing their teeth.   Santa Clauses with teeth seemed somewhat disturbing to me.  This is the face of a Shoenhut roly-poly Santa made in the US of paper-mache in the last quarter of the 19th century.

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This late 19th century German Santa has a very rare beard made of glass icicles.  He has a serious, concerned expression on his face.

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Most German Santa candy containers had paper-mache faces.   This rare 19th century Santa has a bisque porcelain face with glass eyes.  He also seems to have very bright white bisque teeth.

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German Santa candy container with a red mohair suit and a lambs wool beard dating to the early 20th century.

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This paper-mache Santa dates from the late 19th century and seems to have the face of a tired old gentleman.  He looks rather wizard-like with his long white beard.

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Belsnickle Santa with a yellow-green coat.  Belsnickles were made in Germany from the late 19th century into the early 20th.  They were made in a large variety of sizes and colors.  All Belsnickles have hand-painted faces done by a number of different crafts-persons so the facial expressions vary quite a bit.  I have seem Santa Clauses that look totally inebriated as well as those with a stern authoritarian countenance.

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This German candy container Santa looks like he is up to no good with a whimsical expression.  He dates to the late 19th century.

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Toy Santa Clauses from the 19th century are unusual.  This one has a wooden body that “dances” when you pull on a string.  His head is made of composition and shows great brushwork in the painted details.

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This German Santa has bushy white painted eyebrows and a fur beard.  He dates from the last quarter of the 19th century.

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Another bisque face Santa Claus with glass eyes and a long fur beard.  His facial details are very different from the other bisque face Santa.  This face seems more joyful, even with his teeth showing.

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Chromolitho Santa face on an advertising tin dating to the early 20th century.  This wonderful warm Santa face shows the influence of 20th century illustrators such as Reginald Birch and E. Boyd Smith, who drew from the late 19th century work of  Thomas Nast.

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This is one of the largest German Santa lanterns that I have ever seen.  The face and beard have been modeled beautifully in paper-mache and the eyes and teeth are painted on paper so they would glow when the candle was lit.

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Chromolitho on paper Santa face applied to the top of a wooden box containing picture blocks.  These boxes usually date from the late 19th to early 20th century.

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This Santa has a very nice face but it seems to be overshadowed by the beautiful head on the reindeer.   The paper-mache German reindeer has gilt Dresden decoration on his bridle and glass eyes.   The reindeer is also a nodder so his head gently moves up and down.  Click on images to enlarge.

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Santa Belsnickle holding a baby.  This Belsnickle is rare, rare, rare, and I’ll type it again, rare.  Not only is the Santa holding a baby but the baby has red polka-dots all over it, including his face.  Even Santa seems surprised by this one.

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This is a cloth faced Santa dating to the 1920s.  He has a sweet gentle face and a long fur beard.

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German paper-mache lantern from the late 19th century.  This is an unusual form for a Santa head lantern and has an expressive face showing us his very large teeth outlined in red.

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As I noted earlier Belsnickles come in many sizes.  This reindeer seems to be responding the same way I did upon seeing this white feather tree. Wow!  Wow, that’s many, many rare tiny little Belsnickles all dating from the late 19th to early 20th century.  Not a one of them have teeth.  I like that.  So if any of you happen upon “the” Santa Claus in the flesh, not of these modern day department store varieties, let me know.  I would like to find out if his teeth really are that big and scary.  Merry Christmas!  Click on images to enlarge.

Christmas Window @ Shop 2009

Wednesday, December 2nd, 2009

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The shop Christmas window for 2009 features a wonderful folk art train from Kirkwood, Mo.   Kirkwood is a part of the greater St. L0uis area and has some wonderful historic  homes and a railroad that goes through the center of town.  The folk art train is hand-painted and embellished with “Kirkwood Railroad” on the sides.  Click on images to enlarge.

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The cut paper trees were easy to do and would also be fun used in house windows.

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The Santa I used in the train is one of those wacky 1940s clay face Santas riding high on a mound of packages. The train engine is open car full of decorated trees.  Vintage brush trees provided a nice forest backdrop for Santa’s train.  Tin stars hang from the sky lighting the way for Santa and his deliveries.

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Santa waves hello to all those who pass by.   Christmas seems the perfect holiday for using antique and vintage objects to decorate our houses with.   The ornaments could be grandmother’s treasured blown glass pieces or a funky 1960′s elf made of felt.  If you do not have family treasures then it’s time to start your own collection to pass onto family and friends.   The shop has many vintage Christmas pieces this year as do many other antique shops in the area.   If you are in Southwest Missouri my Mother and Sister have a wonderful shop in Ozark called Ozark Market Basket.  Their shop has many vintage holiday ornaments and decorations.  You can check out their website here.   Support small local business whenever you can and especially this time of year.  Remember when you are buying vintage you are recycling wonderful cheery reminders of Christmas past and not contributing to the mass produced excesses of our time.   Christmas doesn’t have to be about Black Friday or Cyber Monday.  The staff and I at R. Ege Antiques would like to wish a Merry Christmas to all.  Please click on images to enlarge.

Fall in St. Louis at the Missouri Botanical Garden

Monday, November 2nd, 2009

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This past Sunday was the first of November and one of those perfect fall days.  The morning was very cool and crisp and then by noon it was a glorious warm sunny day in St. Louis.  After several weeks of dreary rainy days here in the city, it was a great day to check out the
Botanical Garden.  We are lucky in St. Louis to have one of the best botanical gardens in the world.  Check out their website here.   This working “live clock”  is new to the garden, replicating one that was here many years ago.  It was planted with mums, various fall plants and pumpkins.   The bird house has a cuckoo clock-like bird that comes out and sings a song on the hour.  Click on images to enlarge.

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One of the most personal and private areas of the garden for me is the “Chinese Garden.”   It was created in 1995 and is formally known as the  Margaret Grigg Nanjing Friendship Garden.  The garden is nestled between several main pathways and seems to go unnoticed by most.  So it is often without visitors of the two legged variety, (other than birds), and consequently very quiet and peaceful.  The garden was designed by Chinese-born architect Yong Pan.

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This small garden was modeled after the “Scholar’s Gardens” of the southern provinces of China, near Nanjing.   There are several magnificent large scholar stones in the garden.

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Large stone table with “benches”  just like the one I dream about for my back garden.

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This mosaic medallion is made up of small polished river pebbles placed on their side in the traditional colors of a Chinese Scholar’s Garden: black, white, and gray.

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Fall light travels fast and soon this garden will be edited by winter’s chill.  Comfort comes in knowing it will be just as beautiful and serene as it was yesterday but in a totally different way.

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I had to include a few images of these cast stone and bronze mutton that grace the garden’s lawn.

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The mutton were made by a French artist and installed a few years ago.  They have a surreal “realness” to them that makes them intriguing and yet they are made of very hard, sturdy materials that are very non sheep-like.

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Basking in the fall light they seem to be aware winter is on its way.  Click on images to enlarge.


2009 Shop Container Party Photos

Wednesday, September 30th, 2009

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Here are the photos from the 2009 Container Party at the shop.  This image is from the middle room of the shop.  The large hall-tree in the center of the photo has great contrast with its cast iron faux bamboo hooks and the tortoise shell-like pattern of the bamboo.  The English mahogany cabinet houses a collection of French porcelain apothecary jars as well as numerous sea shells.  Click on images to enlarge.

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The parrot engravings are 18thc. Italian and the apothecary tall jars are American late 19thc.

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Pond boat named “Eloise” sails in front of an early ship’s wheel in original paint.

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The German antler chandelier works well in this small room, the 14 foot high ceilings help with the large scale of the fixture.  The European clock face hangs above an English mahogany cabinet and a leather pig footstool.

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This image is the first one from the back of the shop showing the glazed tile walls originally used in the bakery.   The photo shows a small English pine gate above a carved marble basin with two 1920s stone planters from Holland.

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Battery jars from Holland filled with fall foliage between two cast iron fleur-de-lis shaped finials.

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Marble basins stacked on top of early grinding stones.  The basins would make a great sink for a bathroom or  be used outside in the garden.   I have had one outside for years, it is planted with herbs and seems to survive Missouri winters just fine.

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Water lettuce floating in the marble basin makes for a nice visual treat.

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This is one of the largest hand-blown Japanese floats I have ever had in the shop.   It is surrounded by garden related antiques, some from Europe, some from the St. Louis area.

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The large handpainted canvas is from a carousel that was located in Tours, France.  The clock case in the photo is completely hand-forged iron and the tall pencils to the left of the case are European store display trade signs.

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This cabinet was used to store architectural renderings and holds a variety of European objects, including a very large battery jar filled with hundreds of wooden carnival fish, as well as a collection of 18thc. and 19thc.  stone mortars. Roxie was watching all the exciting activity during the setup for the party.

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The large tool trade sign in the center of the wall was found in Holland and hangs over a folding 19thc. table used for wall-paper hanging.

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The American country blue cabinet dates to the mid-19thc.  and retains its original milk paint.   The folk art “ducks”  baby carriage on top of the cabinet dates to the 1920s, and has been made from discarded ammunition blasting powder boxes.  The inside of the carriage warns “caution explosives”  imprinted in the wood.  The iron columns were found in Holland.

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This set of wrought iron garden furniture did not last long in the shop.   Roxie, in the upper left-hand side of the photo, was very busy trying to get a ball out of her bed, she seemed to show-up right when the photos were being taken.

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General store display shelves filled with the usual unusual objects, mostly from Europe.  The wrought-iron panel above the shelves is a French window guard in a wood frame.

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This image shows off a grouping of 19thc. American baskets on top of the general store shelves.   The french painted apothecary drawers on the right, are filled with early wire light-bulb protectors.

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The ten foot long oak table is from a convent that was located in St. Louis and holds a variety of items including two polished Jielde lamps on either side of a large 1920s gilt and painted wood convex mirror.

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The early 20thc. butterfly weathervane has been cut from zinc and is next to a large terra-cotta egg from Holland.

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Stacked metal bookcase is great for displaying collections.  The mustard general store cabinet displays European wooden bowling balls as well as small Dutch targets.

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This close-up shows how well collections can work grouped together in bookcases.    I am not sure why I have always been fascinated with brushes, however,  they do come in an infinite variety of shapes and sizes and the antique ones have such great surface and texture.

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This very large store display case is over 8 feet tall and 9 feet long and is in the very back of the shop.  It has been great to experiment with this cabinet’s scale such as displaying very large objects as you see it now as well as filling it with shelves that contain collections of small items.  Click on images to enlarge.