Tilt-A-Whirl

February 1st, 2010

These shop photos have a small sampling of some of the new objects for your consideration.

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This is one large wall panel.  It dates from the late 18th to early 19th centuries  and features finely reeded pilasters with acanthus capitals.   A small carved angel head with wings forms the keystone of the arch just below a robust crown with dentil molding.  Click on images to enlarge.

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The architectural panel is European and measures over six feet long.  It would make a great headboard or a focal point for a room.  On the far right of the French bamboo hall-tree is a wonderful 1920s screen wire lamp shade signed by the Rembrandt Lamp Co.

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Talk about a unique assortment of knives and daggers.   Bowie knives with antler handles are shown on the shelf.  A Persian Katar from the 19th century, hangs in the middle of the three daggers on the wall.  To the right of the Katar is an Italian 16th century left-handed dagger with  a forged iron head on its pommel.  All of these weapons have  distinctly different design elements that make them interesting and yet a strong sculptural quality runs through all of them.  The carved and polychromed masks that are hanging above the daggers are believed to be Tibetan and date to the early 20th century.

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Two different generations of little girls played with these toys.  The graniteware dates from the 1890s to 1910.   The cast metal dollhouse furniture is from the 1930s.   Most of the furniture was made by “Arcade” a toy company that was located in Freeport, Illinois.  These photos help show the diversity of the material coming into the shop as well as the quantity.   Although there  is always too much inventory coming into the shop to ever get it photographed before it all sells.   If you are in the St. Louis area please be sure and look us up.  Remember Antiques are the highest form of recycling.  I have a house full of recycled furniture and objects and would not have it any other way.  Click on images to enlarge.

January 25th, 2010

Merriam-Webster Dictionary defines a thingamajig as:  “something that is hard to classify…”.  Sometimes I feel my whole shop fits that definition.  I’ve been very excited by some of the shop’s new thingamajigs and so here are a few of them.

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Hands down this is one of the best dining tables I have ever had, certainly one of the heaviest.  The table is from Europe and has exceptional forged ironwork combined with bronze detailing.   The weathered marble top has just the right amount of wear on its surface.  Click on images to enlarge.

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The 19th century zinc finials from France seem right at home on the large garden table.

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This reverse etched Venetian style mirror just came into the shop.  It dates from the 1920s.  The sconces on either side of the mirror are carved wood and were found in Belgium.

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A teenage boy and his red GTO, oil painting on canvas.  This painting speaks volumes about the attitude of the late 1970s and the “muscle car” era.  The GTO painting was done by a St. Louis artist in the early 1980s.  It is hanging in the shop next to an Eames over-sized “House of Cards” card deck.   In the upper left hand corner of the image, barely showing, is  a metal sculpture of a swan by Curtis Jere.

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I wanted to include this image of the candy containers for two reasons: one, they are a great collection of paper-mache German candy containers, new to the shop; two, they remind me of spring, wonderfully glorious spring.  It has been a cold and gloomy winter so far in St. Louis.   It’s  nice to have a few reminders around us that spring is just around the corner.  ” All through the long winter, I dream of my garden.  On the first day of Spring, I dig my fingers deep into the soft earth.  I can feel its energy and my spirits soar.” — Quote by Helen Hayes.  Click on images to enlarge.

January 5th, 2010

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Chicago’s Shedd Aquarium is a world class aquarium.  Visiting the Shedd is very special to me.  Beyond the spectacular collection of marine life that the aquarium has in their collection, what makes the Shedd so incredible for me begins right at the front doors.  The carved marble door surround in the photo above hints at the aquatic fantasies in stone, bronze, terra-cotta, and plaster about to overwhelm you as you enter these doors.  You can check out the aquariums website here.  Click on images to enlarge.

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John Shedd of Marshall Field department store fame donated 2 million dollars in 1924 to establish a world class aquarium in Chicago with “the greatest variety of sea life under one roof.”   The photo above shows a Greek key motif with a crab in the center supporting a huge tableau of sea-life all carved out of marble including two moray eels about to devour a crustacean.   It is interesting to think of the differences between design motifs of modern aquariums compared to this great 1920s example.  I doubt stone carved eels enjoying their meals would be considered an “appropriate” design element for young audiences today.   I am very thankful the architects of the Shedd thought differently.

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This is an early postcard of the Shedd showing its Classical Greek architectural style.  Construction of the Shedd started in 1927 and was officially opened to the public in May of 1930.  Click on images to enlarge.

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Bronze doors and wall panels with aquatic motifs.

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Detail image of the vent panels between the doors.  Shells, coral, starfish, seahorses, lobsters, and jellyfish frolic together on these panels.  Click on images to enlarge.

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Bronze exterior fixture mounted on marble from Georgia.  The fixtures in the Shedd were made by Chicago’s Sterling Bronze Co.  They were known for their fine casting work.

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The starfish base of the exterior fixture has amazing detail.

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I took these images while visiting Chicago just after Christmas which is why there are holiday decorations in the photos.  The entrance hall has these great octopus hanging bronze and art-glass fixtures.

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I noticed this bronze octopus ball light on my first visit to the Shedd many years ago and have never forgotten it.  I keep hoping the prototype for the fixture will show up in some St. Louis house just waiting for me to discover it and move it into my house.  “Hope springs eternal,” according to Alexander Pope.

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Bronze stingray sconce supporting an art-glass nautilus shell light.

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Close-up image of the stingray sconce.  The craftsmanship in the bronze work at the Aquarium is really exceptional.

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The bronze and glass clock was in a very dark area and hard to photograph but still worthy of showing here.  The “greatest variety of sea life”  that John Shedd spoke of is clearly exemplified here in this large clock hanging from bronze dolphins.

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Glazed cast plaster border panel with shell motif.

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These large fixtures remind me of theater lights from the same period.  The bronze and glass lights feature reverse glass hand-painted panels with everything aquatic, including a frog, a sea tortoise, as well as other assorted sea-life.

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These colorful fish tiles were custom made by Pewabic Pottery Company.  Pewabic art pottery is well known to Arts and Crafts period collectors.  Pewabic also produced architectural ornamentation for public and private institutions in the early 20th century.  These tiles bring a nice bit of color and whimsy in an otherwise monochromatic Classical interior.  Mary Chase Perry Stratton was one of the founders of Pewabic pottery.  Her designs were used extensively throughout the Shedd Aquarium.

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The “Trident of Poseidon”  takes center-stage with an assortment of aquatic and nautical motifs on the overdoor pediment.  Elaborate bas-relief plasterwork was used throughout the beaux arts interior.  I would venture a guess that the English and Italian craftsmen using shell motifs in the 17th and 18th centuries would approve of John Shedd’s vision of a world class aquarium structure worthy of the city of Chicago.  It’s like being in one really large European grotto except with the addition of many, many loud and exuberant children. Click on images to enlarge.

December 16th, 2009

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Santa Claus’s face is one of the most recognizable faces in the world - a  face known the world over and also a face that none of us have actually seen in person in order to verify his accepted appearance.  We all have a concept of what Santa looks like.  Some of those concepts have been influenced by the best advertising minds of our time to sell the latest and greatest widget.  Some of us have been influenced by Santa Clauses that were made over one hundred years ago and look very different from the Santa we see portrayed today.  I thought it might be interesting to see how Santa Claus’s face has changed over the years.  The Santa face pictured above belongs to a German roly-poly dating to the 1930s.  Click on images to enlarge.

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The Santa Clauses in these images all belong to a couple who have been collecting holiday antiques for a number of years.  I was fortunate enough to be able to photograph a small part of their collection.  This German paper-mache Santa dates to the late 19th century.

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These early German Santa Clauses almost always have blue eyes.   This one has a hand-painted paper-mache face with a rabbit fur beard and dates to the latter part of the 19th century.

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When I started collecting early Santa Clauses one of the things I noticed was that some of them had teeth.  The smiling faces of Santa that I grew up with seemed not to be showing their teeth.   Santa Clauses with teeth seemed somewhat disturbing to me.  This is the face of a Shoenhut roly-poly Santa made in the US of paper-mache in the last quarter of the 19th century.

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This late 19th century German Santa has a very rare beard made of glass icicles.  He has a serious, concerned expression on his face.

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Most German Santa candy containers had paper-mache faces.   This rare 19th century Santa has a bisque porcelain face with glass eyes.  He also seems to have very bright white bisque teeth.

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German Santa candy container with a red mohair suit and a lambs wool beard dating to the early 20th century.

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This paper-mache Santa dates from the late 19th century and seems to have the face of a tired old gentleman.  He looks rather wizard-like with his long white beard.

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Belsnickle Santa with a yellow-green coat.  Belsnickles were made in Germany from the late 19th century into the early 20th.  They were made in a large variety of sizes and colors.  All Belsnickles have hand-painted faces done by a number of different crafts-persons so the facial expressions vary quite a bit.  I have seem Santa Clauses that look totally inebriated as well as those with a stern authoritarian countenance.

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This German candy container Santa looks like he is up to no good with a whimsical expression.  He dates to the late 19th century.

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Toy Santa Clauses from the 19th century are unusual.  This one has a wooden body that “dances” when you pull on a string.  His head is made of composition and shows great brushwork in the painted details.

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This German Santa has bushy white painted eyebrows and a fur beard.  He dates from the last quarter of the 19th century.

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Another bisque face Santa Claus with glass eyes and a long fur beard.  His facial details are very different from the other bisque face Santa.  This face seems more joyful, even with his teeth showing.

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Chromolitho Santa face on an advertising tin dating to the early 20th century.  This wonderful warm Santa face shows the influence of 20th century illustrators such as Reginald Birch and E. Boyd Smith, who drew from the late 19th century work of  Thomas Nast.

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This is one of the largest German Santa lanterns that I have ever seen.  The face and beard have been modeled beautifully in paper-mache and the eyes and teeth are painted on paper so they would glow when the candle was lit.

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Chromolitho on paper Santa face applied to the top of a wooden box containing picture blocks.  These boxes usually date from the late 19th to early 20th century.

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This Santa has a very nice face but it seems to be overshadowed by the beautiful head on the reindeer.   The paper-mache German reindeer has gilt Dresden decoration on his bridle and glass eyes.   The reindeer is also a nodder so his head gently moves up and down.  Click on images to enlarge.

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Santa Belsnickle holding a baby.  This Belsnickle is rare, rare, rare, and I’ll type it again, rare.  Not only is the Santa holding a baby but the baby has red polka-dots all over it, including his face.  Even Santa seems surprised by this one.

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This is a cloth faced Santa dating to the 1920s.  He has a sweet gentle face and a long fur beard.

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German paper-mache lantern from the late 19th century.  This is an unusual form for a Santa head lantern and has an expressive face showing us his very large teeth outlined in red.

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As I noted earlier Belsnickles come in many sizes.  This reindeer seems to be responding the same way I did upon seeing this white feather tree. Wow!  Wow, that’s many, many rare tiny little Belsnickles all dating from the late 19th to early 20th century.  Not a one of them have teeth.  I like that.  So if any of you happen upon “the” Santa Claus in the flesh, not of these modern day department store varieties, let me know.  I would like to find out if his teeth really are that big and scary.  Merry Christmas!  Click on images to enlarge.

December 2nd, 2009

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The shop Christmas window for 2009 features a wonderful folk art train from Kirkwood, Mo.   Kirkwood is a part of the greater St. L0uis area and has some wonderful historic  homes and a railroad that goes through the center of town.  The folk art train is hand-painted and embellished with “Kirkwood Railroad” on the sides.  Click on images to enlarge.

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The cut paper trees were easy to do and would also be fun used in house windows.

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The Santa I used in the train is one of those wacky 1940s clay face Santas riding high on a mound of packages. The train engine is open car full of decorated trees.  Vintage brush trees provided a nice forest backdrop for Santa’s train.  Tin stars hang from the sky lighting the way for Santa and his deliveries.

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Santa waves hello to all those who pass by.   Christmas seems the perfect holiday for using antique and vintage objects to decorate our houses with.   The ornaments could be grandmother’s treasured blown glass pieces or a funky 1960’s elf made of felt.  If you do not have family treasures then it’s time to start your own collection to pass onto family and friends.   The shop has many vintage Christmas pieces this year as do many other antique shops in the area.   If you are in Southwest Missouri my Mother and Sister have a wonderful shop in Ozark called Ozark Market Basket.  Their shop has many vintage holiday ornaments and decorations.  You can check out their website here.   Support small local business whenever you can and especially this time of year.  Remember when you are buying vintage you are recycling wonderful cheery reminders of Christmas past and not contributing to the mass produced excesses of our time.   Christmas doesn’t have to be about Black Friday or Cyber Monday.  The staff and I at R. Ege Antiques would like to wish a Merry Christmas to all.  Please click on images to enlarge.

December 1st, 2009

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Christmas morning circa 1959 was the theme for the 2008 Christmas window

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Silver aluminum trees became all the rage in the late 1950’s thru the 1960s.   This tree was simply decorated with red balls.  I used the color red to unify the separate elements of the window display.

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I was looking for one of those 1950’s cardboard fireplaces for the window display but could not seem to find one in time.  I have always found those fireplaces curious.  I guess if you did not have a fireplace a cardboard one served the purpose, sort of.  Lighting a fire in it could be a problem and then there is the issue of Santa and the chimney.  So for this window a hand-drawn fireplace served the purpose quite well.

November 23rd, 2009

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The 6th annual Christmas Open House is now over.   I would like to thank so many very special people for making this year’s party a huge success.  We had a great turnout with lots of friends coming into the shop and lots of treasures going out of the shop.  The group of garden figures in this photo, all covered in winter’s chill, welcomed you as you came in.  Remember to click on images if you wish to enlarge.

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The 19thc crazy quilt provides a great backdrop for the four seasons garden figures.  The quilt has a number of very creatively stitched “P”s.  We are lucky enough to have a note pinned to the quilt stating it was made by a member of the Parker family.

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Hanging on both sides of the crazy quilt are four Chinese-export bird watercolors dating to the late 18th century.

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The American Flyer Train comes complete with its Pullman cars, just the right color for the holidays.

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German Kugels from the 19thc are suspended over the train, reflecting the world around them.

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Draped over the center table is an amazing French Aubusson carpet from the late 18th to early 19th century.   The coal hod holding the orchids sports a hand-painted winter scene perfect for the season.

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A French wire basket seems right at home filled with gold-gilded dried pomegranates.

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The European painting was a lucky find.  It came out of a wonderful, stately St. Louis home.  The oil has now left its brief home at the shop and gone back into another beautiful St. Louis home.

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Sheep everywhere you look, in the old paris porcelain, on the bow-front chest, and under the early glass cheese dome.  The English brass candlesticks are another recent addition to the shop.  The sticks have a curious form, somewhat Christopher Dresser-like.

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This lady’s writing desk is one of the nicest pieces of painted satinwood furniture I have ever been fortunate enough to have in the shop.

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The desk is covered in hand-painted garlands of flowers as well as neoclassical figures.  It also has several hidden compartments, just big enough for those “private” letters.

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This is an image of the decoration on the back of the desk chair that accompanies the lady’s writing desk.

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This painted chair is not typical of my usual merchandise mix, however I could not resist its five legs, looking as if it’s ready to flee the scene.

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So after the front of the shop has begged for your attention the next thing you come to in the shop are the bookcases.  I like the fact that the bookcases force the eye to focus and to see in a different way than when looking at a room full of furniture and objects.  This image shows an early 20thc cast iron windmill weight made in Nebraska, as well as a zinc clock trade sign an over-sized store price stamper for a window display.

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Sterling silver on one shelf and a hand-painted tin trolley on the other makes for visual contrast.

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A shelf of dog oil paintings, toy dogs, and an early leather dog collar.  The lower shelf contains a wonderful architectural terra-cotta panel from a St. Louis building that was torn down.

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The bookcases at the shop are full of things you just don’t see at very many other places, from hands to heads to caravans, it’s all here!

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These two photos are of a collection of French stone fragments from a Gothic church dating from the 17th century.  Displaying them in a vitrine or dark bookcase would make a dynamic display.

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General store cabinet filled with vintage Christmas as well as an early Steiff  bear on wheels with his original button.

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Spun cotton ornaments share space with vintage wind-up Santas and Shiny Brite ornaments.

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These watercolors are by James Godwin Scott, well known for his depictions of life along the Mississippi and in and around St. Louis.  The watercolors were  painted during the time he lived in this area.

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Pond boat fits perfectly on the Korean Tansu chest.

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The middle room of the shop was decorated with a nod to the nautical.  This image  shows a vintage toy tin racing boat on a  marble topped drafting table base.  The table is flanked by a French creel fishing basket on one side and a tall buoy on the other.

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Feather tree festooned with ornaments on top of an Italian gold gilded iron table.  A bit of sparkle is good for the holidays…. or anytime.

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Bead garland, clip-on birds, Shiny Brite ornaments all on a dense little feather tree.  As I have said before…. every house should have at least one feather tree!

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These 19thc Apothecary jars are filled with silver-leafed dried artichokes and share space with a 1920’s butterfly weathervane.

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The vintage ski poster, ca 1928,  is by artist Paul Brusset and advertises winter sports at Mont-Geneva.   The poster hangs next to a huge porcelain enamel letter “X” from a sign that was on a St. Louis building.  The X begged to be joined by the 1930’s letters M, A, and S, all covered in red sparkles.

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The French cast iron coal hod is filled with more gilded artichokes.

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It is safe to say I have never had anything quite like this in the shop before.  The “hurdy gurdy” type street-cart has been fitted with a Regina ca. 1900’s music box that still plays beautifully.  The coin slot took pennies, several wheat pennies were found in the base which holds the extra metal playing discs.  There are 25 different music discs with this Regina.

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The cart yoke looks like it could have been pulled by goats or a large dog.  The case has been painted with baskets of flowers on the doors topped with a rather New Orleans looking “house” that contains the Regina.

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The music box cart is right in the middle of the back room so it can be appreciated from all sides.  It was played several times during the party.  It is interesting how music that is 100 years old can sound so cheerful and fresh.

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For the party the desserts were placed on these European pastry stands, perfect for our tasty American Christmas cookies.

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This image was taken the day after the party with the sunlight pouring in.

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The German hide covered rocking horse was awarded a wreath of vintage glass balls and foil leaves.

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French carousel painted panel above a vintage paper-mache store display figure.

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This 1930s paint store display figure was found in a Kirkwood, Missouri estate.  He would have originally held a small can of  “Mautz” brand paint.  Christmas at the shop will extend throughout the season with new merchandise added weekly.  Be sure to call the shop or email me if you have any questions about any of the merchandise shown in the blog images.  Please click on images to enlarge.

November 10th, 2009

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Christmas 2009 is just around the corner.  Fall has hit St. Louis and that means Christmas Open House at R. Ege Antiques is just days away.  The party is next week, Thursday, November 19th from 5 to 9.  I thought it might be fun to check out the photos from last year’s party.  Reflected in the bullseye mirror is a collection of “shinny bright” tree toppers mounted as bouquets in French cast iron urns.  Click on images to enlarge.

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Wonderfully carved and gilded carousel panel over seven feet long, found in Europe.

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Wicker set from the 1930s surrounds a faux bois French stone planter used as a coffee table.

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Moravian star light next to a cast iron top hat cuspidor encircled by a zinc 19thc chain.

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Collection of “shiny brite” ornaments on a 1960’s wire tree only $ 3.00 each, what a deal.

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Vintage Moscow travel poster made for German tourists is from the 1930s and hangs below a collection of kitschy 1960s Christmas yard figures.

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This image shows one of my favorite things from last year’s party …. the rain chain.  The chain dates from the 19thc,  is completely hand forged and was found in Europe.  It is interesting to me that we are now seeing rain chains show up in local garden shops.  Everything old is new again, as they say.

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General store cabinet loaded with vintage Christmas treats.

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Christmas brings out the kid in all of us.   Who doesn’t have fond memories of a certain ornament that always hung on the tree, or the  well worn well loved cardboard houses that went on the mantle?

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Brush trees and a 1940s cardboard village set is covered in glitter and displayed in a primitive country store pie case.

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Clear glass cake stands are great for displaying objects as well as for serving desserts.  These stands held a collection of place card holders from the 1950s decorated as potted chenille poinsettias.

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Every house should have at least one feather tree for Christmas.  No matter how you decorate them they are always charming.  This little guy was home to a group of 1960s Santa’s elves that were handmade of felt.

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Roxie checking it all out.

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English horse racing painting between two large concrete planters complete with “snow.”

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The French wrought iron window guard dates from the 19thc and is festooned with fresh garland.  I really enjoy using fresh greenery at the shop during the holiday season.  One of the reasons is simply because it’s real and real is always best.  It also gives the shop that wonderful smell.  Christmas is more than just stuff that comes out of a box.  The smells of Christmas trigger past memories amazingly fast.   The giraffe is a German pull-toy and is decked out for the party wearing her “pearls” made from glass bead Christmas garland.  Christmas Open House 2009 is going to be a great one with more vintage Christmas than ever before.  Join us Thursday, November 19th at 5 pm to see what holiday antiques I’ve been stashing away for almost a year now.  Christmas is almost here.  Click on images to enlarge.

November 2nd, 2009

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This past Sunday was the first of November and one of those perfect fall days.  The morning was very cool and crisp and then by noon it was a glorious warm sunny day in St. Louis.  After several weeks of dreary rainy days here in the city, it was a great day to check out the
Botanical Garden.  We are lucky in St. Louis to have one of the best botanical gardens in the world.  Check out their website here.   This working “live clock”  is new to the garden, replicating one that was here many years ago.  It was planted with mums, various fall plants and pumpkins.   The bird house has a cuckoo clock-like bird that comes out and sings a song on the hour.  Click on images to enlarge.

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One of the most personal and private areas of the garden for me is the “Chinese Garden.”   It was created in 1995 and is formally known as the  Margaret Grigg Nanjing Friendship Garden.  The garden is nestled between several main pathways and seems to go unnoticed by most.  So it is often without visitors of the two legged variety, (other than birds), and consequently very quiet and peaceful.  The garden was designed by Chinese-born architect Yong Pan.

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This small garden was modeled after the “Scholar’s Gardens” of the southern provinces of China, near Nanjing.   There are several magnificent large scholar stones in the garden.

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Large stone table with “benches”  just like the one I dream about for my back garden.

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This mosaic medallion is made up of small polished river pebbles placed on their side in the traditional colors of a Chinese Scholar’s Garden: black, white, and gray.

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Fall light travels fast and soon this garden will be edited by winter’s chill.  Comfort comes in knowing it will be just as beautiful and serene as it was yesterday but in a totally different way.

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I had to include a few images of these cast stone and bronze mutton that grace the garden’s lawn.

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The mutton were made by a French artist and installed a few years ago.  They have a surreal “realness” to them that makes them intriguing and yet they are made of very hard, sturdy materials that are very non sheep-like.

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Basking in the fall light they seem to be aware winter is on its way.  Click on images to enlarge.


October 18th, 2009

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This years Halloween window features a bound body caught in a spider’s web.  Click on images to enlarge.

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The “body” in the web is actually an early turn of the century Martha Chase Hospital Doll.  Martha designed, handmade, and hand-painted these life-size dolls to be used as training tools for nurses in schools and hospitals.   I am sure Martha Chase never expected one of her dolls to be used in a Halloween window display but for a brief period it is perfect as a spider’s treat.

October 18th, 2009

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This is a photo of the Halloween window display last year at the shop.  We have a rather rusty ghoul sitting in his study at his desk.  Note the demon-eyed dog Roxie guarding his lair.  Click on images to enlarge.

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A plethora of accessories for every well appointed ghoul’s desk.

October 11th, 2009

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These photos were taken this past July during my European buying trip for the shop.  I had been to Paris before but I had not been to one of  the most famous cemeteries in the world, Père Lachaise, located in the 20e arrondissement.  Considering Halloween is just a few weeks away I thought this would be an ideal time to share these images.  It was a perfectly lovely day to spend in the cemetery; dark, gloomy, and very dreary  most of the time.  The right atmosphere for the incredible visual overload that an exceptional cemetery can provide.  Click on images to enlarge.

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The cemetery was established by Napoleon in 1804.  It was named after Père François de la Chaise (1624-1709), who was confessor to Louis XIV.

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Père Lachaise also known as the “East Cemetery” is the largest in the city of Paris at 118.6 acres.

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There are more than 70,000 19thc. monuments and over 300,000 bodies buried in the cemetery, not counting those that have been cremated.

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Père Lachaise is home to many famous Europeans and several Americans, such as Gertrude Stein buried with Alice B. Tolkas as well as Jim Morrison.  The tomb in the photograph above, belongs to French romantic painter Théodore Gericault (1791-1824).  The top of the stone has a life-sized bronze sculpture of the artist with his palette and brush, while the front of the stone has a bronze panel depicting one of  Gericault’s most famous paintings titled:  “The raft of the Medusa.”

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I have great memories of exploring small town rural cemeteries growing up in southern Missouri.  I have always been fascinated by the infinite variety of monuments as well as the intricate ironwork in the fences, usually surrounding the family plots.  There were also the beautiful cast iron urns planted with flowers and either wire or cast iron benches located in many of these Midwestern cemeteries.

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This Tomb has an amazing cast iron door with a bat at the top of its arch.

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On top of this tomb is a carved stone sarcophagus resting on a base with winged skulls on the corners and in the middle of those are young maiden heads with butterfly wings.

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Powerfully simple message in this stone carving with exquisite details.

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Shrouded “three graces” relief carved stone panel.

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I had read that cats liked to hang out in the cemetery however, there were more cats than I had expected.   Legend has it that the flowers that always appear on the tomb of the French novelist, Collette, are replenished by the cats who live in Père Lachaise.

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This monument exemplifies the level of skill in the stone-cutters art of the late 19thc in France.  Click on images to enlarge.

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Note the two broken strings on the harp.

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The floral bouquet on the stone monument is handmade glazed pottery, forever blooming.

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This hauntingly simple sarcophagus has bronze arms extending from its stone top.

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I think this monument speaks for itself… quiet and bold.

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Lovely relief carving of birds with swags of bounty.

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Cast iron panel with a grieving  female face sporting a banner with the Latin phrase: “requiescat in pace”,  which translates “may he rest in peace.”

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Wrought-iron emblem of “time” flying past us, painted a great French blue, complete with cobwebs.

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Egyptian motifs combined with an iron door panel containing a bat at its top.

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This rather architecturally simple stone tomb had Chinese porcelain foo dogs from the early 20thc. used as finials, with a yin and yang symbol placed between them.  The motto above the entrance states:  “It does not have anything to do with anything” in gold gilt letters.

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This mausoleum was entirely made out of zinc and copper and dates from the late 19thc.

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Cast iron Gothic door panel with the stained glass window from the back wall showing through.

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The color and surface of these doors makes for a great visual.

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The stained glass window in the back of the mausoleum echos the shape of the cross on the doors.

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Beautiful stained glass window seen through a tomb door. Click on images to enlarge.

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Documenting the variety of mausoleum doors found throughout the cemetery would make an interesting collection of images.

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This is the window behind the cast iron ivy leaves in the previous photo.  Fragmented and broken the stain-glass still conveys a great deal of emotion.

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This larger than life-sized figure was carved out of marble with the rest of the monument built out of  limestone. The contrast is very effective.

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This monument has a folk art quality to it, sensitive and a bit naive.  It stands in stark contrast to the more classically conceived stones.

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In contrast to its neighbors this is a wonderfully contemporary monument in chromed steel.

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Adding to the atmosphere of the cemetery were the ubiquitous black crows watching over us.   Ravens or Crows traditionally representing the world beyond the grave fit right in amongst the burial plots.

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I am going to end this post with my favorite stone carving that I photographed on the trip.  This early 19thc relief carved panel very clearly describes the journey from this world to the next, and not in a very cheerful way I might add.  Père Lachaise cemetery is said to be visited by hundreds of thousands of people annually.   I only made it through one small section but I can’t wait to explore other nooks and crannies on future trips.  Paris is  a city that is always calling you back to it.  Click on images to enlarge.

September 30th, 2009

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Here are the photos from the 2009 Container Party at the shop.  This image is from the middle room of the shop.  The large hall-tree in the center of the photo has great contrast with its cast iron faux bamboo hooks and the tortoise shell-like pattern of the bamboo.  The English mahogany cabinet houses a collection of French porcelain apothecary jars as well as numerous sea shells.  Click on images to enlarge.

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The parrot engravings are 18thc. Italian and the apothecary tall jars are American late 19thc.

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Pond boat named “Eloise” sails in front of an early ship’s wheel in original paint.

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The German antler chandelier works well in this small room, the 14 foot high ceilings help with the large scale of the fixture.  The European clock face hangs above an English mahogany cabinet and a leather pig footstool.

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This image is the first one from the back of the shop showing the glazed tile walls originally used in the bakery.   The photo shows a small English pine gate above a carved marble basin with two 1920s stone planters from Holland.

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Battery jars from Holland filled with fall foliage between two cast iron fleur-de-lis shaped finials.

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Marble basins stacked on top of early grinding stones.  The basins would make a great sink for a bathroom or  be used outside in the garden.   I have had one outside for years, it is planted with herbs and seems to survive Missouri winters just fine.

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Water lettuce floating in the marble basin makes for a nice visual treat.

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This is one of the largest hand-blown Japanese floats I have ever had in the shop.   It is surrounded by garden related antiques, some from Europe, some from the St. Louis area.

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The large handpainted canvas is from a carousel that was located in Tours, France.  The clock case in the photo is completely hand-forged iron and the tall pencils to the left of the case are European store display trade signs.

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This cabinet was used to store architectural renderings and holds a variety of European objects, including a very large battery jar filled with hundreds of wooden carnival fish, as well as a collection of 18thc. and 19thc.  stone mortars. Roxie was watching all the exciting activity during the setup for the party.

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The large tool trade sign in the center of the wall was found in Holland and hangs over a folding 19thc. table used for wall-paper hanging.

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The American country blue cabinet dates to the mid-19thc.  and retains its original milk paint.   The folk art “ducks”  baby carriage on top of the cabinet dates to the 1920s, and has been made from discarded ammunition blasting powder boxes.  The inside of the carriage warns “caution explosives”  imprinted in the wood.  The iron columns were found in Holland.

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This set of wrought iron garden furniture did not last long in the shop.   Roxie, in the upper left-hand side of the photo, was very busy trying to get a ball out of her bed, she seemed to show-up right when the photos were being taken.

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General store display shelves filled with the usual unusual objects, mostly from Europe.  The wrought-iron panel above the shelves is a French window guard in a wood frame.

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This image shows off a grouping of 19thc. American baskets on top of the general store shelves.   The french painted apothecary drawers on the right, are filled with early wire light-bulb protectors.

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The ten foot long oak table is from a convent that was located in St. Louis and holds a variety of items including two polished Jielde lamps on either side of a large 1920s gilt and painted wood convex mirror.

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The early 20thc. butterfly weathervane has been cut from zinc and is next to a large terra-cotta egg from Holland.

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Stacked metal bookcase is great for displaying collections.  The mustard general store cabinet displays European wooden bowling balls as well as small Dutch targets.

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This close-up shows how well collections can work grouped together in bookcases.    I am not sure why I have always been fascinated with brushes, however,  they do come in an infinite variety of shapes and sizes and the antique ones have such great surface and texture.

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This very large store display case is over 8 feet tall and 9 feet long and is in the very back of the shop.  It has been great to experiment with this cabinet’s scale such as displaying very large objects as you see it now as well as filling it with shelves that contain collections of small items.  Click on images to enlarge.


September 27th, 2009

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The 2009 Container Party was a great success with good friends, some old some new, and great objects from the container becoming new treasures for a new home.  I have not gotten all of the images from the party ready for the blog, however I have the ones from the front of the shop here for you to see.  The shop is divided into three rooms on the first floor.  The first room was originally used as the display area for the bakery that was in the building from the time it was built in 1883 until the early 1940s.  The back of the shop has glazed tile walls and housed the ovens for the bakery, and the middle room connects the other two spaces together.  The first image shows a group of Dutch oil paintings displayed over a collection of carved stone spheres which were found in Belgium.  Click on images to enlarge.

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Carved stone planters found in Holland sharing the space with a brass lizard amongst the spheres.

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Cast iron garden urn with an Angel Vine topiary joined by a pair of 19thc. European porcelain doves on marble bases.

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This miniature porcelain dove seems right at home in the topiary.

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English 18thc. gilt-wood mirror flanked by two early 20thc. oil paintings of Brugge, Belgium.  The pair of sunburst mirrors to the right of the English mirror, are carved wood and date to the  1940s.

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The Phalaenopsis Orchids are in a cast iron coal hod and have a wonderful pair of European zinc architectural finials on either side.

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This is a close up of the 19thc. gilt-wood snake sconce that hung next to the oil painting of  Brugge.  It was one of my favorite things in this year’s container.

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French Jielde Lamp behind a papier-mache table that is in front of a Korean tanzu chest.

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Engraving of elements from the Borghese Palace in Rome with a pair of tole sconces on either side of it, hanging over a French marble top table.

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European plaster casts of body “parts and pieces” displayed in a brass case at the shop.

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The shop has a long 19thc. general store counter in the front room with a little more than 20 feet of bookcases behind it.  I had the bookcases built during the renovation of the first floor of the building.  The bookcases have proven invaluable for display.  I enjoy creating vignettes of objects that might not normally be living together but somehow seem to work well together.  This image shows some of the diversity of the objects that are competing for attention.

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Memento mori skulls with a French gaming wheel and forged iron snakes from Europe.

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Faux marbleized wood architectural element with memento mori skull carving from Europe, late 19thc.

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Bookshelves with many faces, along with two pieces of Dutch children’s  furniture.

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More faces on doll head mold forms in this shelf display, with a few manikin hands thrown in for good measure.

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The carved wooden hands on the left were used in European department stores for displaying gloves in the early 20thc.  The lyre with horns carved wooden sculpture is very unusual.

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Carved wooden fish sharing a shelf with a late 19thc articulated artist’s model above which hangs a European cut metal clay-pipe rack from the same period.  The pipe holder depicts a gentleman falling backward trying to pull a fish out of the water while a woman on the other side is trying to catch the fish in a net.  The craftsmanship in this piece is amazing.

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This shelf contains a variety of religious objects from Europe  including a carved wooden dove hanging above a 19thc. relief carved marble panel of an angel.   Click on images to enlarge.

September 14th, 2009

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I have found that taking photos of window displays is very hard to do.   Photos taken during the day are difficult because the glass is too reflective.  Taken at night the  photos can seem dark and moody, which is not always a bad thing.  The Container Party shop windows often have some sort of  wrapped or bound objects in them, making a reference to all of the carefully wrapped objects that just came over the Atlantic from Rotterdam, Holland..  This year’s window has a number of pieces, wrapped and tied with bubble wrap literally swirling around,  suspended by chain from the ceiling.  Click on images to enlarge.

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The plastic wrap really reflects the light.

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The window at night with a flash.  Roxie,  my dog comes to the shop with me and has her bed in the bottom left hand corner of the front window,  it’s her perch  so she can sit and watch the world go by.  Click on images to enlarge.

September 6th, 2009

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These photos are from the first Container Party at the shop in 2006.  It has been intriguing to look at these images from the shop’s past.  In the antiques trade so much material comes and goes that I sometimes forget about certain pieces that I really liked, and after seeing these photos again I think that maybe this or that piece should have come home to live.    However, there is that matter of making money and paying the mortgage.   The container for 2009 has arrived and I am currently in the process of unpacking and again going through that difficult process of sorting and culling and trying not to drag huge portions of it home….of course just to see how it looks in my house.   It’s a test to see if a new object can stand up to the other pieces that have already staked a claim in their current location in the house.    The 2009 Container Party is Thursday, September 24th at  5 p.m.  Click on images to enlarge.

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Large academic drawing found in Belgium.

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I am always on the search for interesting horn and antler material when shopping in Europe for the container.

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Sawtooth shark noses, antlers, and altar sticks were the first thing you saw coming into the shop.  Mixing can be such a great experiment in shop and home design.

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Shell collection in a lead planter in front of a Victorian painted fireplace mantel.

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Bird case with dog paintings over a St. Louis general store cabinet.

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This was a great garden trellis that I wish I had back in the shop for store display.  The architectural terra-cotta face was from Kansas City.

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European carousel panels over a group of carnival knock-downs.  Click on images to enlarge.

August 23rd, 2009

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August is moving on, fast!  As we get closer to fall I start to plan for the European container to arrive with all the goods I traversed all over Holland, Belgium, and France for this past July.  The container will arrive soon and then after everything is unpacked, cleaned, inventoried, etc., I will close the shop for several days and get ready for the annual Container Party, which is like a sneak peak of all of the usual unusual objects I found on the continent this year.  The date for this year’s party is Thursday, September 24th,  5 pm to 9 pm.  This will be the fifth Container Party at the shop.  Here are a few images from last year’s party. Click on images to enlarge.

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Amish Quilt behind a Victorian wire plant stand and a French forged iron clock case.

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Woodard chairs on either side of an unusual painted gaming table, possibly used at a carnival.

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Marble top coffee table with French zinc basin containing wooden bowling balls.

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The early European bread baking trays make a statement against the glazed brick walls.

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French Jielde lamp with zinc fishing floats in cast iron coal hod.

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Hammered copper leaf on marble top table.

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The six leg, ten foot long table originally from a St. Louis convent has two very large copper vents on either side of it.  The vents were  taken from an early Missouri barn.

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The large heart on the back wall is actually a 1930’s florist’s moss-covered flower form.

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European weathervane next to an ironstone foot-tub with Japanese fishing floats inside.

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This Carousel panel was one of the things I thought was very special in last year’s container.  It is carved out of wood and retains most of its original polychrome.  To the right of the panel is a polished steel Jielde lamp arching over the table. Click on images to enlarge.

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In one of the bookcases behind the counter a vignette with  an advertising scale model of a dress form from the 1920s, alongside a group of marionette torsos from France, and a carrier pigeon award on the back wall.

August 9th, 2009

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The Atomium in Brussels Belgium was built for the 1958 Worlds Fair.  It seemed a natural place for me to visit on my Brussels shopping adventure, being from St. Louis, Mo.  The Atomium has similarities to our Gateway Arch here in St. Louis.  Not only is it clad in bright shinny stainless steel as is the arch, it can also be seen from many vantage points in the city, just like the Arch.  The Arch and the Atomium were also symbols of modernity for their time.    They are just as modern, fresh and exciting to the eye as they were in the 1960s.  If you would like to check out the Atomium’s website click here.  Click on images to enlarge.

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This is a great vintage photo of the Atomium as it was being built.  The monument is actually the visual representation of the concept of an “atom.”  It symbolizes an elementary iron crystal with its 9 atoms and magnified 150 billion times. It honored the metal and iron industry and the belief in the atomic power. The architect was André WATERKEYN. Most of the pavilions built at the Worlds Fair had a very modern futuristic architectural style to them, with the “Atom” towering over them all.

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I thought this was an interesting vernacular image of a mother and child in front of the Atomium.  It looks like the image could have been taken at the Fair in 1958.

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Just like the Gateway Arch in St. Louis, you can go up into the Atomium to various levels.

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This image is of the interior of one of the spheres, very futuristic, furnished with Verner Panton chairs.  It also has a “snack shop” with the most startlingly tasty Belgium Waffles.  I had to sample one, being in Belgium.  They serve them all day, not just for breakfast, what a great idea.

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Futuristic escalator tube, going up.

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Looks like a set from 2001 A Space Odyssey.

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Like the St. Louis Arch, the Atomium is fun to photograph.

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I found this cool image on the web.  Great reflections captured in the car mirror.

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Interesting how something so large can look so small from a different perspective.

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Repelling from the top of the Atomium, in the rain.  Not my idea of a vacation activity.  However, maybe it’s something we could think about doing here in St. Louis. Repelling from the top of the Arch.  It just might catch on.  Click on images to enlarge.



August 3rd, 2009

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I have been blogging about store display recently,  and thought I should include some of my own.  The images I have here are “assemblages” of objects in the shop.  This image has everything from a French leather bicycle seat to a 1970’s copper sculpture to a pair of sawtooth shark’s noses.  Click image to enlarge.

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There is a large school trophy case in my shop loaded with religious artifacts.  This is just one shelf with Santos figures.  The porcelain plaque in the back is a signed KPM hand-painted porcelain of Sybil in its original carved Black Forest frame.  Click on image to enlarge.

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These porcelain enameled letters are in a large store display cabinet.   They are graphically very strong, being stark white and so large.

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In this display I’ve used a French 1950’s Jielde lamp on an Art Deco store display console.  On the display table are assorted objects with a naturalistic theme.  The back of the shop has box-car glazed brick walls, original to the building.   It was used as a bakery from 1883 till the 1940’s.  The white brick works wonderfully for store display as objects show up very well against it.  Click on image to enlarge.

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Carved Indiana Limestone bird bath.  Inside the bowl is an 18th c. slate sundial found in the Netherlands.   Having concrete floors in the back of the shop is perfect for someone like myself who seems to like garden pieces more if they are Really, Really heavy.

July 29th, 2009

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This is a photo of a hat shop in Maastricht, Netherlands named La Passionara, which seems to translate as: to explode or fly into a passion.  I assume a passion for hats.  I have walked by this shop many times exploring the town, and have always enjoyed the multitude of hats layered one on top of the other, in the shop window.  In a web search I came across a short video by the owner of the shop on google video, here it is… La Passionara.  Businesses like this one have a hard time surviving here.  I have a retail shop, I know.   However, in these small European towns, the individually owned shops seem to be doing fine.  I’m glad as what would late night strolls be without interesting shop windows to inspire and delight.  Click on photo to enlarge.