Tilt-A-Whirl

August 22nd, 2010

This is the card for the 2010 Container Party at the shop.  The party is going to be held Thursday night, September 23rd from 5:00 pm to 9:00 pm.     Make plans now to attend this year’s event, this will be your very first chance to see the antiques I carted back from Europe.  This is one party you do not want to miss.  I was in Europe longer this year and bought more than ever before, I bought better than ever before, and I bought with my customers in mind.  Soon I will be posting images from the July European buying trip.  The container includes: French 18th and 19th century decorative arts, industrial lighting and objects from Belgium and Holland, cast iron architectural elements, Louis Philippe gilt mirrors, church altarsticks, garden artifacts, folk art, French linen feed sacks, and many, many more interesting objects for the house and garden.   Click on the image to enlarge.

August 22nd, 2010

This is the last week of the store wide Sale at R. Ege Antiques!

Everything in the store is 20% off.  The sale continues next week, Thursday the 26th, Friday the 27th, and Saturday the 28th.

The August sale has been a great success but we still have to make more room for the new shipment arriving soon from Europe.   Try to make it by the shop this next week and treat yourself to a wonderful new addition to the house or garden and receive an extra 20% off.   This is the final week of the sale.

June 20th, 2010

Art Chicago is an annual event held at the Merchandise Mart in Chicago, Illinois during the Artropolis event.  I exhibited at the International Antiques Fair at the Mart that is held concurrently with the art fair, this past May.  Click on images to enlarge.

These large scale prints are composed of tiny images of other “personalities,” such as the Madonna image might be made up of tiny pixel images of Marilyn Monroe.  The artist is Alex Guofeng Cao.

The gallery had cards in the form of small boxes with photos on two sides.  Greg and I were disappointed that the boxes didn’t have any treats  inside of them, it would’ve been a nice touch.

This artist’s work has a jewel-like quality to it.  Click on images to enlarge.

The imagery of this piece of artwork is haunting and rather mysterious.

The “boy with a bird” looks like it was drawn using gunpowder that has been burned.

She is in such a relaxed state after her refreshing swim, still dripping with water.  I’ve always enjoyed watching the reactions people have to life-size super-realism figures.  I find this sculpture more calming than most of the life-size figures, especially those of Duane Hanson.

I will never get tired of looking Deborah Butterfield’s Horses.  This polychrome over bronze example has such an elegance and looks effortless.

Richard Wright Gallery had two really fine Harry Bertoia “bush” sculptures on a low coffee table.  Click on images to enlarge.

Packer Schopf Gallery never disappoints.  Aron has an amazing eye that I like to think has been influenced by his years in the antiques trade.

The “beast” has been composed out of many, many books; most likely encyclopedias.

This cut work on books at  Aron’s gallery is by Brian Dettmer.

This artwork is by Diem Chau.  The artist has stretched very fine “fabric” over ordinary household china plates and stitched these curious images of people or parts of people.  You can check out the Packer Schopf Gallery here.

This life-sized sculpture was covered entirely in puzzle pieces put on end, thousands and thousands.

Now that could be Duane Hansen sculpture on the right, but he is actually a Merchandise Mart employee.  Click on images to enlarge.

This paper and cotton sculpture was so delicate and so beautifully crafted I was fascinated by the workmanship as well as the concept.

There were about seven or eight of these “smoking aircraft”  sculptures along the back wall of the gallery booth, they were so clean and white and yet so tragic. I loved them.

Odd little creatures their bodies covered in shells.

This humming bird is just a little larger than life size and is made from cast lead, it and following snake sculpture is by the artist Mark Calderon.

The snake sculpture has a sinuous sleekness about it.  It would look great displayed on a large table as well as it does hanging on the wall.

I rarely see contemporary photography that I find fresh.  If a  photographer’s work makes you take a second glance than you might stand a chance at a show like Art Chicago.  This photographer has challenged the viewer to stop and question the refection in the puddle and what it is telling us about the reality of the street scene.

As far as I am concerned William Edmondson was one of Americas most important sculptors of the 20th century.  This totemic as well as whimsical sculpture by Edmondson was shown by Fleisher/Ollman Gallery at Art Chicago.

Both of these labor intensive drawings are by Joan Linder who uses very tradition materials in her work.  The dandelion drawing is over six feet tall and was drawn entirely with a ball point pen.  Joan is represented by Mixed Greens Gallery in New York City.  Click on images to enlarge.

Carl Hammer Gallery always has great contemporary fine art as well as an amazing inventory of antique folk art.  These polychromed “jiggers” date from the 1930s and have great appeal en masse.

This piece of artwork by California artist Cameron Gray was one of my favorite pieces at Art Chicago.  The artist uses tiny paintings to create his large scale artworks.

The smaller scale paintings are all from the history of art.  Many of the greats from the Renaissance to post impressionist are used in his work.   Gray doesn’t actually paint the smaller panels but has other artist do these pieces and then he assembles them into a larger cohesive image .  Cameron Gray’s website is here.

I rather think Vincent Van Gogh would have been fascinated by many of his paintings being used to help form a much larger piece of artwork completely unrelated to his original work.  Or maybe not.  Art begs questions sometimes more than it makes statements.  This is the joy and the challenge of going to shows like Art Chicago.  Make plans to attend the 2011 Art Chicago show now, all of the info is here.  Click on images to enlarge.

May 21st, 2010

The Chicago Merchandise Mart annual Antiques and Fine Art Fair was held April 30th thru May 3rd, it was a distinct pleasure to be exhibiting at the Mart again this year.  The quality of the dealers at the show and time they take to create engaging booth spaces makes the show exciting to see.    So here are a few photos to give you a taste of the variety of amazing material that was shown at the Mart during this past event.  Click on images to enlarge.

The two photos above are dealers from Italy that always bring objects that I especially covet, their business name is Il Segno Del Tempo and they have a great website you can check out here.

One of many booths with rare Art Deco and Modernist pieces.  Click on images to enlarge.

More tramp art than you can shake a stick at, this is the booth of Clifford Wallach who has an intriguing  website filled with tramp, you can see it here.

Now this is a billiard table.  The inlay work is impressive.  To the right is a large double gaming wheel slot machine.

This back wall panel is European tile and is spectacular, it is in the booth of Rita Bucheith, Ltd.  Click on images to enlarge.

Harvey Pranian is good friend and a great dealer with an ever changing inventory of folk art.  His website is here.

Tiffany, Tiffany, and more amazing Tiffany everywhere you look.

Mid-century modern at its best.  The banana yellow Tommy Parzinger console at the back of the booth is one of those show stoppers I would love to try to work into my house.  It would make a great “stage” for sculpture and objects.

The scientific sign makes a strong statement in this eclectic booth display.  Click on images to enlarge.

I could move into this room.  The lighting was tweaked just so to help give the room the impression of a luxurious apartment in an exotic locale.  These last two photos were taken in the booth of  The Golden Triangle, located in Chicago.  They have an extensive website you can check out  here.

Hard to believe this is a booth at an antiques show until you notice the white walls in the distance.   If you did not make it to the show this year hopefully these photos will entice you to visit the Mart in 2011.  The photos I took at Art Chicago will be coming soon to this blog site.  Stay Tuned.  Click on images to enlarge.

May 10th, 2010

I thought this year’s show at the Merchandise Mart was more visually interesting, and even an even higher level of quality then in any of the previous years I’ve been to the show.   Setting up at the show is an amazing experience on many levels.  Set up allows me the luxury of seeing  rare and sometimes startling objects being moved past my booth before the show opens up as everyone is trying to work their booths into beautiful room-like settings.  The enormous Mart building, two football fields long, fills up in just a few short days with antiques from all over the world as well as dealers from several different countries exhibiting their very best for this fair.  Click on images to enlarge.

My booth at the mart show had my usual mix of periods and styles that for some reason seem to work together.  I like to think of the pieces as all settling in together in the booth whether they like it or not.  Each piece seems to find to place to show off without competing with the others…or so I tell myself.

The 19th century framed botanical flowers formed a backdrop for the dark oak 18th century gate-leg table with a small grouping of santos figures on top.  Click on images to enlarge.

The santos shown in the previous photo replaced this grouping of 19th century candlesticks that sold one by one at the show.

I love this mix of art work on the back wall of the booth.  The top painting is by Guillermo Silva Santamaria, an artist from Bogota, Colombia below it is a painting by a St. Louis artist, Margery Dodson Imster.  To the left of the lamp are three 1920s stained glass window watercolor studies from the Emil Frei Art Glass Studios in St. Louis.  Click on images to enlarge.

Greta Von Nessen “Anywhere Lamp”, circa 1951 in original mint condition.  The lamp and the painting in the background found really good new homes.

The Italian gilt mirror on the back wall was a recent lucky find just a few days before the show.  The modernist painting on the right is by St. Louis artist Virginia Davis, it stayed behind in Chicago, now showing off on a new wall.

The 19th century European skull and crossbones pediment was lucky enough to find a new residence in the Windy City.

The soft whites of the walrus tusk and the shells play so well against the warm browns and grey color tones on the 18th century Russian table.  Click on image to enlarge.

The brass swan sculpture on the wall is by Curtis Jere.  To the left of the Jere are two French manikin forms, both the manikins and the Jere represent the variety of objects I bring to show and fortunately seem to be what I sell at the Mart as both stayed behind in Chicago.

The rare advertising poster behind the manikins announces Herman Miller’s opening of a store in New York City that would sell their furniture as well as fabrics by Alexander Girard and “sympathetic” decorative objects (those objects I would be curious to see.)  The poster must date from the late 1960s to early 1970s and is in mint condition.

My booth is on a corner so I have an outside wall to decorate.  At the beginning of the show the wall looked like this, and then after several things sold it evolved to the wall pictured below.  Click on images to enlarge.

The wallpaper stamps shown in the previous photo got replaced with a collection of vintage dog photos. Part of the fun of being at the show for so many days is seeing the other booths at the show change as items are sold and moved out and new things are brought in from storage and the booth redesigned.

I brought one of the showcases from the shop for displaying collections of objects.  The shelf has a collection of 19th century plaster heads and hands.

“Just say ah.”  Which is appropriate for this sculpture and is also a cool website showcasing the work of Adam Hughes.  You can check it out here.  The object in the image above was made as a European medical teaching aid in the 1930s.

One of my favorite pieces that I brought to the show was this balustrade from the Chicago Stock Exchange building designed by Louis Sullivan and Dankmar Adler and completed was in 1894. Click on images to enlarge.

Staying in downtown Chicago is an experience, however staying on the 33rd floor of a downtown hotel is a better experience.  This was our view from the Hotel 71.  Wacker drive is on the left and the Merchandise Mart is on the right past the wonderfully ’60s Marina Cities twin towers.  Every morning  starts off with a nice brisk walk to the mart with a quick stop for a morning shot of caffeine and then to the 8th floor for a visual feast for the eyes as the elevator doors open and the day of selling begins.  There is something about the energy of downtown Chicago and the Mart that makes going to the show a time to remember and something I very much enjoy.   Photos from other booths at the show as well as images from Art Chicago will follow in this blog soon.  Click on images to enlarge.

April 25th, 2010

Once again the Chicago Botanic Garden show does not disappoint.  The weather was perfect, unseasonably warm for that time of the year so the narcissus and tulips were in full bloom as were many of the trees.  So the stage was set for a beautiful show even before you got into the show itself.  I’m going to start off with a few photos of my booth and then follow up with some of the floral displays and a sample of  the dealer’s booths that were setup at the show.  Click on images to enlarge.

The pressed flower botanicals date from 1887 and have the plant specimen’s name, and often which state the plant was found in written delicately in brown ink.  They have been archivally framed in silver gilt frames.

Several of the botanical specimens were arranged in a naturalistic way above a water-colored rock landscape.  This is a very unusual technique and quite beautiful.

The carved wooden deer paper-mache mold forms, in the foreground of this photo, found greener pasture and a new home.  I’m sure they will enjoy living in the Chicago north shore area.

As you can see I actually did bring everything…. and the kitchen sink, albeit a french early 20th century farm sink.   A collection of door-knockers shows off well in their unlikely location.

Certainly the heaviest thing I brought to the show was this huge fossilized shell.  Luckily we did not have to put it back on the truck when we left the show, the fossil having found its way to a new home.  The chairs on either side of the shell were designed by Pipsan Saarinen in the 1950s, they also found a new place to dwell.

The Swedish tall case clock is dated 1772 and is all original.  The workbench was crowded with collections of unusual objects, including a collection of found sculptures made from vintage gas burners by a St. Louis artist who had collected them many years ago.  Click on images to enlarge.

The Sculptures on the workbench were joined by french glove display hands and a pair of 19th century male manikins marked with their Paris labels.

The articulated artist model has found a perch on an English garden gate from the 1920s.

The flying cranes in the photo above were actually tin litho advertising signs that one by one flew away at the show (sorry couldn’t resist).

Hanging above the industrial tall cart was a Curtis Jere sculpture of a giant over-sized chrome kitchen strainer from the 1970s.

The doll head mold forms create an interesting collection in mass on the shelf, above them is a hand-painted folk art steel trolley car with great color and crackled surface.  Click on images to enlarge.

The booth had an area that felt like a small room off  to one side that at times became a very tight space which seemed to draw even more people into it and make it feel even smaller.

On a marble top table I have a french fist door latch, a Chinese terra-cotta fountain, an English 19th century carved marble basket of fruit, and a huge battery jar from Belgium full of oranges, just encase we got hungry at the show.

The very back corner of the booth chocked full of curious objects.

After the large hand-painted carousel panel with “Rosalie” painted on it left the building we put this life size European Art Deco garden sculpture of an archer on the back wall.  The shadow play is great.  He seems to look just as good inside as it will outside in a garden.  Click on images to enlarge.

Now for the incredible floral displays placed throughout the show.  This urn greeted you at one of the main entrances to the show, it reached seven feet high full of fresh flowers.   Boxwood topiaries were in each corner.

“Picnic on the lawn in Provence”  seemed to be the theme of this display in a long hall.  Large urns full of hydrangeas are at either end of a long table setup in shades of blue and white.

Two geese decoys seemed to be having an intimate conversation surrounded by all the festive table decorations.  I also noticed the decoys were the only antique pieces in this display at the antiques fair.

Orchids… huge balls of blooming orchids.  Wow.

This is a closeup of one of the spheres of orchid plants, they were really amazing.  Click on images to enlarge.

There were four corners in one room planted with this park-like setting at one of the entrances to one of the two large tents at the show.

This is a wonderful 19th century cast iron twig-form gate and fence that was used in one of the garden displays.

Please excuse the dark photo.  It was taken on a cloudy day and so the tent was very dark.  This is part of the same display that is in the previous photo.  I thought the hen and chicks planted in the horseshoe chair were a great visual.  The play of textures and color are great.  Click on images to enlarge.

One of the many halls that were fully planted and decorated with blooming flowers and water features in and around the shrubs.  One of the reasons I enjoy doing the show so much is to see what creative and  interesting floral displays are going to be at the garden’s antique fairs year after year.   Think about attending next year’s show if you couldn’t make it to this one.  I’m going to follow these images with just a few photos from the over 100 antique dealers booths from the antique fair last week.

Linen walls and no kitchen sink..that’s for sure.  This is Branca’s booth.

This is Balsamo’s booth they are from New York state.  Click on images to enlarge.

The Finnegan Gallery from Chicago with a really great carved limestone bench.

Rod Lich and Susan Parrett’s booth with wonderful garden objects as well as rare Old Hickory furniture and folk art.  They are from Georgetown, Indiana.  A link to their website is here.

Kimball & Been, Architectural and Garden Antiques always have a great assortment of iron urns and garden containers.  They are from Woodstock, Illinois.

Doug Taylor and John Lynch of Praiseworthy Antiques in New York state brought everything and the bathroom sink as well as the toilet and the tub all of which are salesman samples.  Interesting play of scale with the child size bathroom pieces and the large porcelain enameled ampersand sign standing at attention behind them.

More & More Antiques, from New York City had a great pair of dogs very similar to a pair of J. W. Fiske zinc dogs that I had at the garden show two years ago.

Celtic Gardens Imports, located in Michigan has an amazing collection of stone objects mostly from Ireland.  He has a very nice, very green website here.

Michael and Lynn Worden of Worden Select Objects from Michigan have a wonderful assortment of garden antiques often with a strong graphic quality.

Michael Worden and I were wandering the halls taking photos at the same time, hence this photo of him taking a photo of me while I’m photographing him.   This show has an intense setup getting ready for opening in less than two days so we can get a bit goofy by the end of the day.  Another great show is now over and time to go to the Chicago Merchandise Mart International Antiques Show coming up next week.  The show starts  Thursday, April 30th and runs through Monday, May 3rd.  You can find all the info on the show and FREE tickets to all the shows at the Mart that weekend by clicking here.

March 30th, 2010

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The Chicago Botanic Garden Antiques Fair is coming very soon.  The show opens April 16th and runs through the 18th.  There is a gala preview party held Thursday night April 15th.  All of the information for the show can be found here.   The show was not held last year so we are very glad that it will be back this year stronger than ever.  Click on images to enlarge.

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This large hall was decorated like an 18th century Italian engraving with “della robbia”  fruit garland around a boxwood garden planted with primroses.

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Color everywhere you look.  The show has three main areas for displaying the impressive array of garden antiques and artifacts that the antique dealers bring to the show, the halls connecting these areas are beautifully decorated with floral displays like the one shown above.

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White, white, and white, with color all around you makes for a statement at one of the main entrances to the show.

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At the beginning of set-up for the antiques show this lush english garden looked like a hill of wet dirt, not so great honestly.  By the time opening night had rolled around a day and a half later it looked like the photo above.  The variety of texture and form as well as color makes this hillside garden really dynamic and lust worthy.  I want my garden to look like that!  Click on images twice to enlarge.

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Scot Lace’s booth at the garden show in 2008.   I could move into this space.

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Mariyln Draper of Thistle Antiques has a very distinctive look.  Clean, sculpture forms playing wonderfully off of each other. Click on images to enlarge.

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Industrial artifacts refurbished for today’s home in creative ways.

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The Worden’s booth is always a feast for the eyes, their business name is Worden Select Objects and it fits perfectly.

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This booth had a great assortment of very heavy stone objects from Ireland.  The heavier it is the more I seem to want it and this dealer had plenty to want for, from troughs to stadlestones to church finials all covered with moss and lichen. The following photographs are images of my booth at the last Chicago Botanic Garden Show in 2008.

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My usual mix of unusual objects all coexisting nicely.   The marble top table is actually a 19th century operating table base with a round marble top added later, perfect for someone that wants to lower and raise their dining table.  The stone birds were found in Europe and literally flew out of the show…sorry couldn’t resist.   Click on images to enlarge.

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I am lucky enough to be in “Nichols Hall” in the Botanical Garden Show, which is a large square room with a pyramid form glass ceiling, so the light moves across the booth during the day casting shadow puppets along the walls.

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The academic drawing I found in Belgium and has two polished steel Jielde lamps on either side of the it.  I have only one pair of Jieldes left in stock and I will be bringing them to the show.

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1940′s oil painting in a melange of sculptural objects.

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Life-size zinc dogs made in the late 19th century by Fiske in New York state.  They have been long ago sold but I still miss them.

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The booth after opening night had to be a little rearranged thank goodness.   This year I have a larger booth and am bringing some great furniture, some industrial some not, mixed in with garden artifacts, mixed in with fine art and found objects.  I will post photos from this year’s show in late April.   After the Botanic Garden Show the Merchandise Mart International Antiques Show opens April 27th, now is the time to plan on going to both.  Click on images to enlarge.

March 16th, 2010

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It’s so much fun to finally do a Spring window for 2010.  It has been a long and cold Winter in St. Louis and so these first few signs of Spring are to be celebrated.   I have a large battery jar full of pussy willow in front of a wonderful 19th century gold gilt mirror that is a recent addition to the shop.  Roxie is barely visible in the shop window, on the left,  keeping an ever watchful eye for her neighborhood dog friends.   Click on images to enlarge.

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Battery jars, a Japanese fishing float, a butterfly net, and a wonderful pair of cast iron fleur-de-lis fence post finials all compete for attention in this window display; Roxie, on the far left side, wins hands down.        I have had spring flowers on my mind since the Winter Container Party here at the shop a few weeks ago and so this week I made my hotel reservations for the Chicago Botanic Garden Antiques and Garden Fair in April.   If you are not familiar with the show  information about it is here.  The Chicago Garden show in Glencoe, Illinois  is one of the most beautiful antique shows in the country.   The Antiques and Garden Fair is April 16th – 18th, make plans now to attend.  Click on images to enlarge.

March 15th, 2010

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I had to trim the pussy willow tree at my house this week, it was invading the neighbor’s eaves and gutters, never a good thing.   This was a great opportunity to fill the shop with one of the first signs of spring. Click on images to enlarge.

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We had a pussy willow tree behind the house when I was growing up and I can remember my Mother forcing those tender bare branches into beautiful fuzzy bouquets of the softest grays and browns.  Antique Battery Jars make the perfect container for forcing branches as well as for forcing spring bulbs in.

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Pussy willow branches dry very easily for arrangements, they are also very easy to root for planting a new willow tree.  I have given several cuttings  from my tree as my Mother did from hers years ago.  Spring is the time to think of  bringing flowers from the outside in and maybe giving a few away to friends and neighbors to brighten their day.  Click on images to enlarge.

February 22nd, 2010

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This is the second year for the Winter Party and I have a to say it was a great success.   St. Louis still had some snow on the ground and it was snowing the day before the party, but last Thursday turned out to be a  beautiful sunny day, the perfect weather to feel the beginning of spring at the shop.  Click on the images to enlarge them.

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Surrounding the 18th century English mirror are European wallpaper stamps from the 1950s.  The stamps make a dramatic wall covering and hence are almost all sold out.

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Miniature roses fit perfectly in the Dutch white ironstone “tub”  surrounded by French mother of pearl opera glasses.

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This French style chair has been upholstered in black silk with a hand-stitched Crane across the back.  The forged iron table has bronze detailing  in the manner of Oscar Bach.

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A French 19th century cast iron urn with more miniature roses poses in front of a pair of garden planters.  These smaller iron urns can be used in so many different ways inside the house as well as outside.  The urns can be changed out for the seasons with a variety of contents, ie: blooming bulbs in the spring, shells in the summer,for fall.. well you get the idea .  Click on images to enlarge.

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The theme for this Winter Party was “Spring” so fresh flowers continued throughout the shop .   In this photo note the wonderful European iron awning, for over a door, that hangs above the terra-cotta obelisk.   Hanging from the awning are several hand-painted Mexican pottery birds from the 1940s.

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A very whimsical European armillary sundial rests on the round marble top table.

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The teaching posters were printed in France in the Flemish language.  The circa 1940s posters have wonderful graphics and color.  Click on images to enlarge.

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The zinc downspouts on the left of the photo were found in Belgium.  I think it would be interesting to make lamps or sconces out of the pair of downspouts, the shadows that the light would create could be dramatic.

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The whimsical painted dove weathervane stands between several European cut stone planters.   To the right of the planters is a carved stone well-head of a mans face that has an incredible worn surface.

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In the two previous photographs you can see the window display is of Japanese paper lanterns from the 1930s.  Roxie is keeping watch in her window perch, a job she takes quite seriously I might add.  She often feels the need to alert everyone in the shop to the presence of a dog being walked in front of her shop, often loudly… unfortunately.

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The bookcases behind the counter hold an array of unusual objects.

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I have never seen the bronze pieces with hands mounted on stands shown in this photo ever before.  They are the pockets from a 19th century billiard table and are made of bronze.  The ivory balls shown in the hand-cups would fall through the hole and be “caught” by the small hand that is holding the round cup.

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To the right of the Italian Mirror is a very organic bronze light in the form of a gnarled grape vine with leaves.  It has holes in the base suggesting this wonderful bronze light might have been used on a newel post of a stylish house in Europe at the turn of the century.

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In this photo a wonderful 19th century religious artifact with carved gilt-wood rays hangs in a shelf above the ever wacky doll head mold forms.

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Blackforest antlers surround the wooden “gear” mirror made from an industrial mold form.


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The venetian mirror in this photo found a new home very quickly.   The owl sculpture is by a St. Louis artist, Tom Blaizer.  The owl body has been made out of tin and the eyes out of sliced agate stone.

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Nothing says spring like fresh flowers and we had a nice assortment of them at the shop for the party.  For me forsythia brings back childhood memories of my grandmothers gardens, she let it grow huge and wild, it always seems so bright,  bold and cheerful.   The forsythia is in a huge battery jar I found in Belgium.  The oversized chrome strainer also on the table is by Curtis Jere and dates from the 1970s.

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I currently have a great collection of vintage medical teaching aids in the shop.

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One of the more unusual items in the shop right now (and that’s saying something) is shown in the center of this photo…. the “mirror.”   A relief sculpture made from resin of a muscular nude male holding a woman in his arms has been applied to the mirror glass and put into a chrome frame, the piece has a Los Angeles label on the back and dates to the 1970s or early 1980s.  Click on images to enlarge.

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A Curtis Jere swan sculpture hangs above the 1940s machine age aluminum tricycle.

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One of my favorite pieces to just come into the shop is this European industrial cart.  It has great surface-ware and patina.

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The wire “donut” on the wall is actually a handmade wire crap trap,  I think the trap has a fine sculptural quality to it.   The tin trays, the lanterns, and the candlesticks are all from Mexico and date from the 1940s.

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Rosalie seems to be pondering the wooden bowling balls from Europe that are on either side of her carousel panel.

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I am fortunate to have tall windows in the back of the shop that really let the light pour in.  The anatomical charts on the back of the shop wall are from Belgium.  Click on images to enlarge.

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I wanted to end this post with a photo from the shop of simple a simple way to say spring.   I used green depression glass salt and pepper shakers for mini vases.  I placed three of the bouquets under a 19th century glass cheese dome on top of a plain glass cake stand.  The flowers have been in the shop for almost a week now and still look great.  There is so much we can all do to enliven our lives with fresh flowers without costing a fortune.  I try to have something blooming or have cut flowers in my house throughout the winter.  It makes the house smell great and it makes me feel good.  Until spring gets here and gives us fresh bouquets daily get out there and bring some flowers home.  You just might need an antique battery jar or garden urn for those flowers, luckily R. Ege Antiques has a few of those.  Come in and check us out.

February 9th, 2010

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As of this morning my concrete pussy cat seems to have a new chapeau.  She looks amused, sort of.  St. Louis received more snow last night to add to the snow we already had.  Considering the problems those poor souls in the east are having with snow I will be quite content with ours.  Watching the snow fall from my window has got me thinking of warmer weather and travel, specifically last summer’s buying trip to Europe and our visit to Versailles.  Click on images to enlarge.

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Versailles for me is a time capsule of exceptional beauty and grandeur that exists just beyond those massive gold gilt iron gates.

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This photo shows the palace viewed from the  Apollo Fountain.  There are over 700 rooms in the palace at Versailles.  Visiting the palace is more than an overwhelming experience it is also tiring and so huge that the space lacks a comfortable coziness.  It was designed more for political show than for human scale.  Go to the Palace website here.  Click on images to enlarge.

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Marie Antoinette had her architect Richard Mique build a 12 building Le Hameau (the hamlet) in the manner of a true 16th century Norman village.  Rousseau’s theories on the nobleness of a simple rural life lived close to the natural world were very much in vogue at the end of the 18th century.  Marie Antoinette was trying to escape the confines of her courtly life into what she assumed was the “idyllic” world of a working Norman village.

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The hamlet was built on the banks of the Grand Trianon Lake from 1783 to 1787.   This photo shows the Marlborough Tower that was often used as a point of departure for boat rides or fishing outings.

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The restored Hamlet grounds and buildings have just recently been reopened to the public.

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Several of the buildings including this mill were reserved for use only by the Queen and her guests.  The peasants that tended to the gardens and the livestock lived in four of the structures.  The exterior staircases and balconies of the buildings were adorned with blue and white earthenware pots full of blooming flowers.

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Flowers everywhere!   I can’t wait to plant the flower pots on my deck, however I will refrain from planting in the roof-line of my house.  The flowers here seem quite happy growing in this thatched roof.

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White lilies line the path to the entrance of this charming cottage.  Click on images to enlarge.

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Every house has its own little garden.  Hornbeams were used as hedges and chestnut trees as fences.

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The hamlet had a working farm with assorted livestock, including cows, goats, sheep, and pigeons.   The Queen would dress as a shepherdess and visit her farm to watch its tranquil life unfold.  Marie Antoinette commissioned the royal porcelain works at Sevres to create beautifully hand-decorated porcelain china to be used in her hamlet, including porcelain milk buckets to use when “milking” the cows.

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I’m wearing shorts in this photo, it was warm, it will be warm again, I’m just sure of it.  A litany I have to say over and over again this time of year.  So this concludes our brief visit to Versailles in July.  When you visit France and go to Versailles I would highly recommend a quick tour of the palace and then spend the rest of the day on the estate.  The gardens, the fountains, and the Hamlet are enough to fill many a cold wintery day with fond memories of warmer times and beautiful places.  Click on images to enlarge.

February 9th, 2010

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Our Winter Container Party is February 18th, from 10 am to 6 pm.   Please join us for some tasty treats to make your taste buds happy and then feast your eyes on the new merchandise from Europe as well as a wonderful assortment of objects from several grand St. Louis estates.  We will be closed this Saturday for the St. Louis Mardi Gras festival in St. Louis.  It is a huge event held annually in the historic Soulard area of St. Louis.  You can check out information on the St. Louis Mardi Gras here.  If you would like to receive notices on shop events please click here and give me your contact information including: name, home address and email address.

February 1st, 2010

These shop photos have a small sampling of some of the new objects for your consideration.

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This is one large wall panel.  It dates from the late 18th to early 19th centuries  and features finely reeded pilasters with acanthus capitals.   A small carved angel head with wings forms the keystone of the arch just below a robust crown with dentil molding.  Click on images to enlarge.

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The architectural panel is European and measures over six feet long.  It would make a great headboard or a focal point for a room.  On the far right of the French bamboo hall-tree is a wonderful 1920s screen wire lamp shade signed by the Rembrandt Lamp Co.

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Talk about a unique assortment of knives and daggers.   Bowie knives with antler handles are shown on the shelf.  A Persian Katar from the 19th century, hangs in the middle of the three daggers on the wall.  To the right of the Katar is an Italian 16th century left-handed dagger with  a forged iron head on its pommel.  All of these weapons have  distinctly different design elements that make them interesting and yet a strong sculptural quality runs through all of them.  The carved and polychromed masks that are hanging above the daggers are believed to be Tibetan and date to the early 20th century.

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Two different generations of little girls played with these toys.  The graniteware dates from the 1890s to 1910.   The cast metal dollhouse furniture is from the 1930s.   Most of the furniture was made by “Arcade” a toy company that was located in Freeport, Illinois.  These photos help show the diversity of the material coming into the shop as well as the quantity.   Although there  is always too much inventory coming into the shop to ever get it photographed before it all sells.   If you are in the St. Louis area please be sure and look us up.  Remember Antiques are the highest form of recycling.  I have a house full of recycled furniture and objects and would not have it any other way.  Click on images to enlarge.

January 25th, 2010

Merriam-Webster Dictionary defines a thingamajig as:  “something that is hard to classify…”.  Sometimes I feel my whole shop fits that definition.  I’ve been very excited by some of the shop’s new thingamajigs and so here are a few of them.

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Hands down this is one of the best dining tables I have ever had, certainly one of the heaviest.  The table is from Europe and has exceptional forged ironwork combined with bronze detailing.   The weathered marble top has just the right amount of wear on its surface.  Click on images to enlarge.

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The 19th century zinc finials from France seem right at home on the large garden table.

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This reverse etched Venetian style mirror just came into the shop.  It dates from the 1920s.  The sconces on either side of the mirror are carved wood and were found in Belgium.

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A teenage boy and his red GTO, oil painting on canvas.  This painting speaks volumes about the attitude of the late 1970s and the “muscle car” era.  The GTO painting was done by a St. Louis artist in the early 1980s.  It is hanging in the shop next to an Eames over-sized “House of Cards” card deck.   In the upper left hand corner of the image, barely showing, is  a metal sculpture of a swan by Curtis Jere.

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I wanted to include this image of the candy containers for two reasons: one, they are a great collection of paper-mache German candy containers, new to the shop; two, they remind me of spring, wonderfully glorious spring.  It has been a cold and gloomy winter so far in St. Louis.   It’s  nice to have a few reminders around us that spring is just around the corner.  ” All through the long winter, I dream of my garden.  On the first day of Spring, I dig my fingers deep into the soft earth.  I can feel its energy and my spirits soar.” — Quote by Helen Hayes.  Click on images to enlarge.

January 5th, 2010

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Chicago’s Shedd Aquarium is a world class aquarium.  Visiting the Shedd is very special to me.  Beyond the spectacular collection of marine life that the aquarium has in their collection, what makes the Shedd so incredible for me begins right at the front doors.  The carved marble door surround in the photo above hints at the aquatic fantasies in stone, bronze, terra-cotta, and plaster about to overwhelm you as you enter these doors.  You can check out the aquariums website here.  Click on images to enlarge.

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John Shedd of Marshall Field department store fame donated 2 million dollars in 1924 to establish a world class aquarium in Chicago with “the greatest variety of sea life under one roof.”   The photo above shows a Greek key motif with a crab in the center supporting a huge tableau of sea-life all carved out of marble including two moray eels about to devour a crustacean.   It is interesting to think of the differences between design motifs of modern aquariums compared to this great 1920s example.  I doubt stone carved eels enjoying their meals would be considered an “appropriate” design element for young audiences today.   I am very thankful the architects of the Shedd thought differently.

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This is an early postcard of the Shedd showing its Classical Greek architectural style.  Construction of the Shedd started in 1927 and was officially opened to the public in May of 1930.  Click on images to enlarge.

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Bronze doors and wall panels with aquatic motifs.

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Detail image of the vent panels between the doors.  Shells, coral, starfish, seahorses, lobsters, and jellyfish frolic together on these panels.  Click on images to enlarge.

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Bronze exterior fixture mounted on marble from Georgia.  The fixtures in the Shedd were made by Chicago’s Sterling Bronze Co.  They were known for their fine casting work.

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The starfish base of the exterior fixture has amazing detail.

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I took these images while visiting Chicago just after Christmas which is why there are holiday decorations in the photos.  The entrance hall has these great octopus hanging bronze and art-glass fixtures.

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I noticed this bronze octopus ball light on my first visit to the Shedd many years ago and have never forgotten it.  I keep hoping the prototype for the fixture will show up in some St. Louis house just waiting for me to discover it and move it into my house.  “Hope springs eternal,” according to Alexander Pope.

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Bronze stingray sconce supporting an art-glass nautilus shell light.

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Close-up image of the stingray sconce.  The craftsmanship in the bronze work at the Aquarium is really exceptional.

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The bronze and glass clock was in a very dark area and hard to photograph but still worthy of showing here.  The “greatest variety of sea life”  that John Shedd spoke of is clearly exemplified here in this large clock hanging from bronze dolphins.

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Glazed cast plaster border panel with shell motif.

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These large fixtures remind me of theater lights from the same period.  The bronze and glass lights feature reverse glass hand-painted panels with everything aquatic, including a frog, a sea tortoise, as well as other assorted sea-life.

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These colorful fish tiles were custom made by Pewabic Pottery Company.  Pewabic art pottery is well known to Arts and Crafts period collectors.  Pewabic also produced architectural ornamentation for public and private institutions in the early 20th century.  These tiles bring a nice bit of color and whimsy in an otherwise monochromatic Classical interior.  Mary Chase Perry Stratton was one of the founders of Pewabic pottery.  Her designs were used extensively throughout the Shedd Aquarium.

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The “Trident of Poseidon”  takes center-stage with an assortment of aquatic and nautical motifs on the overdoor pediment.  Elaborate bas-relief plasterwork was used throughout the beaux arts interior.  I would venture a guess that the English and Italian craftsmen using shell motifs in the 17th and 18th centuries would approve of John Shedd’s vision of a world class aquarium structure worthy of the city of Chicago.  It’s like being in one really large European grotto except with the addition of many, many loud and exuberant children. Click on images to enlarge.

December 16th, 2009

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Santa Claus’s face is one of the most recognizable faces in the world – a  face known the world over and also a face that none of us have actually seen in person in order to verify his accepted appearance.  We all have a concept of what Santa looks like.  Some of those concepts have been influenced by the best advertising minds of our time to sell the latest and greatest widget.  Some of us have been influenced by Santa Clauses that were made over one hundred years ago and look very different from the Santa we see portrayed today.  I thought it might be interesting to see how Santa Claus’s face has changed over the years.  The Santa face pictured above belongs to a German roly-poly dating to the 1930s.  Click on images to enlarge.

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The Santa Clauses in these images all belong to a couple who have been collecting holiday antiques for a number of years.  I was fortunate enough to be able to photograph a small part of their collection.  This German paper-mache Santa dates to the late 19th century.

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These early German Santa Clauses almost always have blue eyes.   This one has a hand-painted paper-mache face with a rabbit fur beard and dates to the latter part of the 19th century.

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When I started collecting early Santa Clauses one of the things I noticed was that some of them had teeth.  The smiling faces of Santa that I grew up with seemed not to be showing their teeth.   Santa Clauses with teeth seemed somewhat disturbing to me.  This is the face of a Shoenhut roly-poly Santa made in the US of paper-mache in the last quarter of the 19th century.

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This late 19th century German Santa has a very rare beard made of glass icicles.  He has a serious, concerned expression on his face.

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Most German Santa candy containers had paper-mache faces.   This rare 19th century Santa has a bisque porcelain face with glass eyes.  He also seems to have very bright white bisque teeth.

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German Santa candy container with a red mohair suit and a lambs wool beard dating to the early 20th century.

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This paper-mache Santa dates from the late 19th century and seems to have the face of a tired old gentleman.  He looks rather wizard-like with his long white beard.

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Belsnickle Santa with a yellow-green coat.  Belsnickles were made in Germany from the late 19th century into the early 20th.  They were made in a large variety of sizes and colors.  All Belsnickles have hand-painted faces done by a number of different crafts-persons so the facial expressions vary quite a bit.  I have seem Santa Clauses that look totally inebriated as well as those with a stern authoritarian countenance.

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This German candy container Santa looks like he is up to no good with a whimsical expression.  He dates to the late 19th century.

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Toy Santa Clauses from the 19th century are unusual.  This one has a wooden body that “dances” when you pull on a string.  His head is made of composition and shows great brushwork in the painted details.

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This German Santa has bushy white painted eyebrows and a fur beard.  He dates from the last quarter of the 19th century.

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Another bisque face Santa Claus with glass eyes and a long fur beard.  His facial details are very different from the other bisque face Santa.  This face seems more joyful, even with his teeth showing.

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Chromolitho Santa face on an advertising tin dating to the early 20th century.  This wonderful warm Santa face shows the influence of 20th century illustrators such as Reginald Birch and E. Boyd Smith, who drew from the late 19th century work of  Thomas Nast.

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This is one of the largest German Santa lanterns that I have ever seen.  The face and beard have been modeled beautifully in paper-mache and the eyes and teeth are painted on paper so they would glow when the candle was lit.

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Chromolitho on paper Santa face applied to the top of a wooden box containing picture blocks.  These boxes usually date from the late 19th to early 20th century.

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This Santa has a very nice face but it seems to be overshadowed by the beautiful head on the reindeer.   The paper-mache German reindeer has gilt Dresden decoration on his bridle and glass eyes.   The reindeer is also a nodder so his head gently moves up and down.  Click on images to enlarge.

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Santa Belsnickle holding a baby.  This Belsnickle is rare, rare, rare, and I’ll type it again, rare.  Not only is the Santa holding a baby but the baby has red polka-dots all over it, including his face.  Even Santa seems surprised by this one.

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This is a cloth faced Santa dating to the 1920s.  He has a sweet gentle face and a long fur beard.

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German paper-mache lantern from the late 19th century.  This is an unusual form for a Santa head lantern and has an expressive face showing us his very large teeth outlined in red.

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As I noted earlier Belsnickles come in many sizes.  This reindeer seems to be responding the same way I did upon seeing this white feather tree. Wow!  Wow, that’s many, many rare tiny little Belsnickles all dating from the late 19th to early 20th century.  Not a one of them have teeth.  I like that.  So if any of you happen upon “the” Santa Claus in the flesh, not of these modern day department store varieties, let me know.  I would like to find out if his teeth really are that big and scary.  Merry Christmas!  Click on images to enlarge.

December 2nd, 2009

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The shop Christmas window for 2009 features a wonderful folk art train from Kirkwood, Mo.   Kirkwood is a part of the greater St. L0uis area and has some wonderful historic  homes and a railroad that goes through the center of town.  The folk art train is hand-painted and embellished with “Kirkwood Railroad” on the sides.  Click on images to enlarge.

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The cut paper trees were easy to do and would also be fun used in house windows.

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The Santa I used in the train is one of those wacky 1940s clay face Santas riding high on a mound of packages. The train engine is open car full of decorated trees.  Vintage brush trees provided a nice forest backdrop for Santa’s train.  Tin stars hang from the sky lighting the way for Santa and his deliveries.

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Santa waves hello to all those who pass by.   Christmas seems the perfect holiday for using antique and vintage objects to decorate our houses with.   The ornaments could be grandmother’s treasured blown glass pieces or a funky 1960′s elf made of felt.  If you do not have family treasures then it’s time to start your own collection to pass onto family and friends.   The shop has many vintage Christmas pieces this year as do many other antique shops in the area.   If you are in Southwest Missouri my Mother and Sister have a wonderful shop in Ozark called Ozark Market Basket.  Their shop has many vintage holiday ornaments and decorations.  You can check out their website here.   Support small local business whenever you can and especially this time of year.  Remember when you are buying vintage you are recycling wonderful cheery reminders of Christmas past and not contributing to the mass produced excesses of our time.   Christmas doesn’t have to be about Black Friday or Cyber Monday.  The staff and I at R. Ege Antiques would like to wish a Merry Christmas to all.  Please click on images to enlarge.

December 1st, 2009

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Christmas morning circa 1959 was the theme for the 2008 Christmas window

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Silver aluminum trees became all the rage in the late 1950′s thru the 1960s.   This tree was simply decorated with red balls.  I used the color red to unify the separate elements of the window display.

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I was looking for one of those 1950′s cardboard fireplaces for the window display but could not seem to find one in time.  I have always found those fireplaces curious.  I guess if you did not have a fireplace a cardboard one served the purpose, sort of.  Lighting a fire in it could be a problem and then there is the issue of Santa and the chimney.  So for this window a hand-drawn fireplace served the purpose quite well.

November 23rd, 2009

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The 6th annual Christmas Open House is now over.   I would like to thank so many very special people for making this year’s party a huge success.  We had a great turnout with lots of friends coming into the shop and lots of treasures going out of the shop.  The group of garden figures in this photo, all covered in winter’s chill, welcomed you as you came in.  Remember to click on images if you wish to enlarge.

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The 19thc crazy quilt provides a great backdrop for the four seasons garden figures.  The quilt has a number of very creatively stitched “P”s.  We are lucky enough to have a note pinned to the quilt stating it was made by a member of the Parker family.

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Hanging on both sides of the crazy quilt are four Chinese-export bird watercolors dating to the late 18th century.

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The American Flyer Train comes complete with its Pullman cars, just the right color for the holidays.

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German Kugels from the 19thc are suspended over the train, reflecting the world around them.

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Draped over the center table is an amazing French Aubusson carpet from the late 18th to early 19th century.   The coal hod holding the orchids sports a hand-painted winter scene perfect for the season.

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A French wire basket seems right at home filled with gold-gilded dried pomegranates.

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The European painting was a lucky find.  It came out of a wonderful, stately St. Louis home.  The oil has now left its brief home at the shop and gone back into another beautiful St. Louis home.

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Sheep everywhere you look, in the old paris porcelain, on the bow-front chest, and under the early glass cheese dome.  The English brass candlesticks are another recent addition to the shop.  The sticks have a curious form, somewhat Christopher Dresser-like.

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This lady’s writing desk is one of the nicest pieces of painted satinwood furniture I have ever been fortunate enough to have in the shop.

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The desk is covered in hand-painted garlands of flowers as well as neoclassical figures.  It also has several hidden compartments, just big enough for those “private” letters.

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This is an image of the decoration on the back of the desk chair that accompanies the lady’s writing desk.

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This painted chair is not typical of my usual merchandise mix, however I could not resist its five legs, looking as if it’s ready to flee the scene.

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So after the front of the shop has begged for your attention the next thing you come to in the shop are the bookcases.  I like the fact that the bookcases force the eye to focus and to see in a different way than when looking at a room full of furniture and objects.  This image shows an early 20thc cast iron windmill weight made in Nebraska, as well as a zinc clock trade sign an over-sized store price stamper for a window display.

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Sterling silver on one shelf and a hand-painted tin trolley on the other makes for visual contrast.

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A shelf of dog oil paintings, toy dogs, and an early leather dog collar.  The lower shelf contains a wonderful architectural terra-cotta panel from a St. Louis building that was torn down.

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The bookcases at the shop are full of things you just don’t see at very many other places, from hands to heads to caravans, it’s all here!

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These two photos are of a collection of French stone fragments from a Gothic church dating from the 17th century.  Displaying them in a vitrine or dark bookcase would make a dynamic display.

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General store cabinet filled with vintage Christmas as well as an early Steiff  bear on wheels with his original button.

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Spun cotton ornaments share space with vintage wind-up Santas and Shiny Brite ornaments.

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These watercolors are by James Godwin Scott, well known for his depictions of life along the Mississippi and in and around St. Louis.  The watercolors were  painted during the time he lived in this area.

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Pond boat fits perfectly on the Korean Tansu chest.

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The middle room of the shop was decorated with a nod to the nautical.  This image  shows a vintage toy tin racing boat on a  marble topped drafting table base.  The table is flanked by a French creel fishing basket on one side and a tall buoy on the other.

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Feather tree festooned with ornaments on top of an Italian gold gilded iron table.  A bit of sparkle is good for the holidays…. or anytime.

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Bead garland, clip-on birds, Shiny Brite ornaments all on a dense little feather tree.  As I have said before…. every house should have at least one feather tree!

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These 19thc Apothecary jars are filled with silver-leafed dried artichokes and share space with a 1920′s butterfly weathervane.

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The vintage ski poster, ca 1928,  is by artist Paul Brusset and advertises winter sports at Mont-Geneva.   The poster hangs next to a huge porcelain enamel letter “X” from a sign that was on a St. Louis building.  The X begged to be joined by the 1930′s letters M, A, and S, all covered in red sparkles.

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The French cast iron coal hod is filled with more gilded artichokes.

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It is safe to say I have never had anything quite like this in the shop before.  The “hurdy gurdy” type street-cart has been fitted with a Regina ca. 1900′s music box that still plays beautifully.  The coin slot took pennies, several wheat pennies were found in the base which holds the extra metal playing discs.  There are 25 different music discs with this Regina.

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The cart yoke looks like it could have been pulled by goats or a large dog.  The case has been painted with baskets of flowers on the doors topped with a rather New Orleans looking “house” that contains the Regina.

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The music box cart is right in the middle of the back room so it can be appreciated from all sides.  It was played several times during the party.  It is interesting how music that is 100 years old can sound so cheerful and fresh.

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For the party the desserts were placed on these European pastry stands, perfect for our tasty American Christmas cookies.

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This image was taken the day after the party with the sunlight pouring in.

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The German hide covered rocking horse was awarded a wreath of vintage glass balls and foil leaves.

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French carousel painted panel above a vintage paper-mache store display figure.

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This 1930s paint store display figure was found in a Kirkwood, Missouri estate.  He would have originally held a small can of  “Mautz” brand paint.  Christmas at the shop will extend throughout the season with new merchandise added weekly.  Be sure to call the shop or email me if you have any questions about any of the merchandise shown in the blog images.  Please click on images to enlarge.

November 10th, 2009

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Christmas 2009 is just around the corner.  Fall has hit St. Louis and that means Christmas Open House at R. Ege Antiques is just days away.  The party is next week, Thursday, November 19th from 5 to 9.  I thought it might be fun to check out the photos from last year’s party.  Reflected in the bullseye mirror is a collection of “shinny bright” tree toppers mounted as bouquets in French cast iron urns.  Click on images to enlarge.

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Wonderfully carved and gilded carousel panel over seven feet long, found in Europe.

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Wicker set from the 1930s surrounds a faux bois French stone planter used as a coffee table.

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Moravian star light next to a cast iron top hat cuspidor encircled by a zinc 19thc chain.

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Collection of “shiny brite” ornaments on a 1960′s wire tree only $ 3.00 each, what a deal.

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Vintage Moscow travel poster made for German tourists is from the 1930s and hangs below a collection of kitschy 1960s Christmas yard figures.

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This image shows one of my favorite things from last year’s party …. the rain chain.  The chain dates from the 19thc,  is completely hand forged and was found in Europe.  It is interesting to me that we are now seeing rain chains show up in local garden shops.  Everything old is new again, as they say.

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General store cabinet loaded with vintage Christmas treats.

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Christmas brings out the kid in all of us.   Who doesn’t have fond memories of a certain ornament that always hung on the tree, or the  well worn well loved cardboard houses that went on the mantle?

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Brush trees and a 1940s cardboard village set is covered in glitter and displayed in a primitive country store pie case.

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Clear glass cake stands are great for displaying objects as well as for serving desserts.  These stands held a collection of place card holders from the 1950s decorated as potted chenille poinsettias.

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Every house should have at least one feather tree for Christmas.  No matter how you decorate them they are always charming.  This little guy was home to a group of 1960s Santa’s elves that were handmade of felt.

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Roxie checking it all out.

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English horse racing painting between two large concrete planters complete with “snow.”

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The French wrought iron window guard dates from the 19thc and is festooned with fresh garland.  I really enjoy using fresh greenery at the shop during the holiday season.  One of the reasons is simply because it’s real and real is always best.  It also gives the shop that wonderful smell.  Christmas is more than just stuff that comes out of a box.  The smells of Christmas trigger past memories amazingly fast.   The giraffe is a German pull-toy and is decked out for the party wearing her “pearls” made from glass bead Christmas garland.  Christmas Open House 2009 is going to be a great one with more vintage Christmas than ever before.  Join us Thursday, November 19th at 5 pm to see what holiday antiques I’ve been stashing away for almost a year now.  Christmas is almost here.  Click on images to enlarge.